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Sunday Service: Niall Jones Presents

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This month, Knockdown Center invites Niall Jones to curate Sunday Service. Niall has invited Adjua Gargi Nzinga Greaves, Effie Bowen, Angie Pittman, Raha, and Travis Sisk / Manifestany Squirtz to share work across mediums. The evening will explore the dance party and nightlife, historically and empirically, as a commingling of multiple bodies and multiple ethics. The dance party ostensibly functions as a movement, at once, for and against the sturdiness of identity, and all the while irreducibly in pursuit of (un)certain pleasures and intractable notions of self.

Night, the persistence of virtuosic utterances, when language slips into dance, into moan.

Watch footage from the evening on our MEDIA page here.

Adjua Gargi Nzinga Greaves
Adjua Gargi Nzinga Greaves is an artist chiefly concerned with postcolonial ethnobotany working in the mediums of scholarship, corporeal wisdom, archival gesture and language. She lives and works in New York City where she is currently completing work on The Bulletin of Wilderness and Academy: an introductory conclusion to unschoolMFA forthcoming from Organic Electric Industries.

Effie Bowen
Effie Bowen graduated with a BFA in dance from Hollins University and has since performed work in New York, Berlin, Los Angeles, and Philadelphia. Upcoming projects include Transpacific at Northwestern University with Kentaro Kumanomido and DANCE SPORT, a solo at Gibney.

Angie Pittman
Angie Pittman is a dance artist, educator, and choreographer. Angie has had the pleasure of dancing in work by Ralph Lemon, Jennifer Lacey and Wally Cordona, Tere O’Connor, Jennifer Monson, Johanna S. Meyer, Kyli Kleven, Anna Sperber, and others. Angie has performed her work at BAAD!, Movement Research at Judson Church, Triskelion Arts, and STooPS. She holds a MFA in Dance and Choreography from the University of Illinois at Urbana-Champaign with a graduate minor in African American Studies and a BA in Dance from Old Dominion University. She was a 2015 DanceWEB scholar for Impulstanz Dance Festival in Vienna, Austria and is a 2016 Artist-in-Residence with Movement Research. Angie’s work resides in a space that investigates how her body moves through ballad, groove, sparkle, spirit, spirituals, ancestry, vulnerability, and power.

Raha
Raha is a performing artist, dancer and writer. She holds a Master’s in Urban and Regional Planning from the University of Illinois, Urbana-Champaign. Her interests lie at the intersections of urban politics, postcoloniality, critical dance studies and embodiment.

Manifestany Squirtz / Travis Steele Sisk
Manifestany Squirtz (aka Travis Steele Sisk) is a Brooklyn drag performance artist. Born out of condom wrapper on corner of Jefferson and Knickerbocker Ave, their sorted life as a performer has brought the masses gender-bending sex appeal and appalling stage behavior. A four time performer of Bushwig (Brooklyn’s annual non-gender conformist performance onslaught) and the former producer/host of RITUAL, a now deceased monthly queer cabaret.

About the Curator
Niall Jones is a dance artist and educator working in New York City and Philadelphia as a visiting professor in the Performance + Performance Studies graduate program at Pratt Institute and is Assistant Director for the School of Dance at the University of the Arts. Niall’s work collects between performance and visual art modalities; disorientation, pleasure, and materiality serve as conceptual access points related to structures of time and exhaustion and impermanence.

About Sunday Service
Sunday Service is a curated series of short-form live performances across mediums. Taking place the first Sunday of each month in the Ready Room, a guest curator is invited to organize a salon style evening of in-progress works, performances, and presentations, anchored by a framing principle such as a question, proposition, theme, or formal structure. Sunday Service encourages works in progress and interdisciplinary endeavors showcased in a lo-fi environment to foster experimentation and critical discourse amongst peers.

Incarnata Social Club

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Knockdown Center is pleased to present Incarnata Social Club, an evening of experimental performance dedicated to providing visibility to artists at all stages of professional development. Founded in 2016 by artists Kembra Pfahler and Orlando Estrada, Incarnata began as a monthly performance salon in a basement night club in New York City’s East Village. Incarnata has since expanded to become a community and network for performance artists across the country and abroad. Established to provide a space for artists to share new work without an application process, Incarnata is a social club for anti-socials, a party for an-hedonists, and an experimental performance platform.

Performances by:

Chris Cole
Cameron Cooper
Shawn Escarciga
Kayla Guthrie
Nandi Loaf
Pedro Lopez
Cornelius Loy
Bailey Nolan
Coatie Pop
Marie Ségolène
Virgil B/G Taylor
Xirin
Whitney Vangrin

Poetry Reading by Steven Zultanski

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In conjunction with the exhibition You can tell I’m alive and well because I weep continuously., poet Steven Zultanski curates a poetry reading featuring texts that share affinities with his own poem, Agony (2012). The evening includes readings by poets Alejandro Crawford, Mónica de la Torre, Shiv Kotecha, and Stacy Szymaszek and a sound installation by Fernando Diaz.

About You can tell I’m alive and well because I weep continuously.
You can tell I’m alive and well because I weep continuously is a group exhibition curated by Alison Burstein with artwork by David Court, Erin Diebboll, David Horvitz, Anouk Kruithof, Amanda Turner Pohan, and Steven Zultanski. The show brings together artworks whose techniques resonate with Agony’s provocative alchemical idiom: these pieces quantify bodily and affective features, apply logical and scientific reasoning to absurd ends, and manipulate the linkages between language and things.

Artist Bios

Alejandro Miguel Justino Crawford is a poet, video artist, and game designer living in Brooklyn, NY. http://amjc.tv

Fernando Diaz is the author of “Autocorrelation and Regularization of Query-Based Retrieval Scores” (University of Massachusetts, 2008). His work has been screened at the Melbourne International Animation Festival.

Mónica de la Torre is the author of five books of poetry, including The Happy End/All Welcome (forthcoming from Ugly Duckling Presse in the spring of 2017). Recent and forthcoming publications include Triple Canopy, Harper’s, and Poetry. She is a contributing editor of BOMB Magazine and teaches poetry at Brown University.

Shiv Kotecha is the author of the Unlovable (Troll Thread, 2016), and EXTRIGUE (Make Now, 2015). Other stuff can be found @ shivkotecha.com

Stacy Szymaszek is the author of Emptied of All Ships (2005), Hyperglossia (2009), hart island (2015), Journal of Ugly Sites & Other Journals (2016), and A Year From Today, forthcoming from Nightboat in 2017. She is also executive director of the Poetry Project at St. Mark’s Church.

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