Knockdown Center is pleased to present Brick and Mortar: MASSIVE, a new work by Sue Havens as a part of Knockdown Center’s FiftyTwo Ft. series of commissioned wall-based artworks in the East Corridor.

Sue Havens is an artist interested in the interplay between painting and ceramics. Her work is influenced by the visual world around her: glimpses of things from daily life such as buildings, pavement lines, commercial packaging, tree bark, auto body signs, and 1970’s knit sweaters are embedded in the pattern, texture, and form of her work across disciplines.

At Knockdown Center, Brick and Mortar: MASSIVE will be Havens’ largest scale painting to date. The visual language of this site-specific work will continue Havens’ practice of culling from her everyday surroundings while also incorporating gestural influences from Turkey and from kilim rugs to the ruins of Ephesus. Havens’ disparate sources mingle and surface in large brushstrokes and layered patterns producing a playful grid. As a whole, the work emerges as an integrated landscape that oscillates between flat and dimensional, sturdy and precarious, irregular and precise.

Sue Havens is an artist based in New York and Tampa. Havens received her BFA in Art from The Cooper Union for The Advancement of Science and Art in 1995, and her MFA in painting from The Milton Avery Graduate School of the Arts at Bard College in 2003. Havens is a 2008 Fellowship recipient in Painting from The New York Foundation for the Arts and most recently a recipient of the 2017 McKnight Junior Faculty Development Fellowship. She is currently an assistant Professor of Art at The University of South Florida in Tampa, Florida.

Havens has exhibited internationally and nationally in venues such as Galerie Nord in Berlin, The Museum of Drawings in Laholm, Sweden, Regina Rex, Jeff Bailey, PS 122, Postmasters, Frederich Petzel, Art in General, Momenta Art, Sara Meltzer, OK Harris, Pierogi, The Houghton Gallery at The Cooper Union, The Parlour in Bushwick, New York, and Mindy Solomon in Miami among others. Havens was a 2008 Fellowship recipient in Painting from the New York Foundation for the Arts and most recently, a recipient of the 2017 McKnight Junior Faculty Development Fellowship. Havens authored, designed and illustrated the book Make Your Own Toys (2010). She holds a BFA from The Cooper Union, and a MFA from The Milton Avery Graduate School of The Arts at Bard College. Her work was most recently featured in Warhol’s Interview Magazine.

Exhibition Events
Thursday, August 30, 6 – 8pm: Opening performance by Lika Volkova
Saturday, November 3, 5 – 8pm: Closing performance by Daniel Neumann

Knockdown Center is pleased to present Carried on Both Sides: Encounter Three, a collaborative project by artists Caroline Woolard, Helen Lee, and Lika Volkova on view August 30 – November 3, 2018. Founded in research and expressed across media, the works in the exhibition explore the visual, political, and material lineage of the @ symbol. The artists employ traditional and experimental glass techniques to engage with the history of the @ symbol, and ultimately, to speculate about its future use.

The project consists of three exhibitions over the course of a year, culminating at Knockdown Center in its final and most comprehensive presentation. For Knockdown Center, the artists incorporate sculpture, installation, fashion, and glass blowing to create new artifacts that reference what the group calls “imperial residues” of ancient Rome that are embedded in the contemporary world. These residues appear in daily life, from architectural columns on buildings and the figure of the bald eagle on the dollar bill, to the ubiquitous @ symbol. The @ symbol derives from a graphic representation of the amphora, a vessel used in ancient Rome to transport goods like olive oil or grains. The project’s title references the amphora’s original meaning – to “carry on both sides” – referring to the vessel’s two carrying handles. The works on view aim to evoke questions about what connections we may find between this ancient mode of transportation, commerce, and craft, and today’s digital communication. The artists thus have created artifacts from the future of the @ symbol in which they imagine the @ symbol unfurls in an imperative to rest, to sleep, and to dream.

The first iteration of the project was exhibited at Lesley Heller Workspace in November 2017, and the second iteration of the project showed at LMAKgallery in January 2018. For more information on this project, see: http://CarriedOnBothSides.com, and the Art21 documentary: https://art21.org/watch/new-york-close-up/caroline-woolards-floating-possibility/

Performances
Thursday, August 30
6 – 8pm: Opening performance by Lika Volkova

During the exhibition’s opening, collaborating artist Lika Volkova brings three bodies into contact with her artwork. Wearing garments from the future, they rest under glass paperweights. With this work, Volkova asks us to consider the ways in which the @ symbol destroys sleep and takes over dreams, offering the glass paperweight as a speculative protection from the invasive @ symbol during sleep.

Saturday, November 3
5 – 8pm: Closing performance by Daniel Neumann
The exhibition will close with a durational sound field composition by sound artist Daniel Neumann made in response to the works on view.

Artists

Caroline Woolard creates sculptures using online networks, hand built objects, and immersive environments. Recent commissions include Listen, Wave Pool, Ohio (2018); WOUND, Cooper Union, New York, NY (2016); Capitoline Wolves, Cornell University, Ithaca, NY (2016), and Exchange Café, MoMA, New York, NY (2014). Woolard’s work has been celebrated by the National Endowment for the Arts, where she delivered the 50th Anniversary keynote (2017) and in New York Close Up, the PBS / Art21 documentary series (2017). Recent scholarly writing on her work has been published in the Brooklyn Rail (2017); Artforum (2016); Art in America (2016); The New York Times (2016); and South Atlantic Quarterly (2015). Recent visiting artist lecture appointments include the School of the Art Institute of Chicago (Chicago, IL); Williams College (Williams, MA); the University of California at Berkeley (Berkeley, CA); the Malmo Art Academy (Malmo, Sweden); University of Wisconsin at Madison (Madison, WI); and the Royal Danish Academy (Copenhagen, Denmark). Woolard holds a BFA from Cooper Union (Sculpture, 2007) and is a recipient of the Rockefeller Cultural Innovation Fund (OurGoods, 2010-2012), the Antipode Scholar-Activist Project Award (Community Economies Collective, 2016), and the Theo Westenberger Estate Fund (2015). Woolard has been named one of 11 Artists to Transform the Art World (2017), has been listed in the WIRED Smart List (2013), ArtNet’s Top 20 Female Artists (2015), and in the Top 100 Women for the Commons by the Peer to Peer Foundation (2014).

Helen Lee is an artist, designer, educator, and glassblower. She holds an MFA in Glass from the Rhode Island School of Design and a BSAD in Architecture from the Massachusetts Institute of Technology. Her honors include the inaugural Irwin Borowsky Prize in Glass Art in 2013 and the Edna Wiechers Arts in Wisconsin Award in 2014. She was nominated for a Louis Comfort Tiffany Award in 2015 and a USA Fellowship in 2016. Most recently, Lee received the Gold Award in the 2016 Bullseye Emerge exhibition. Her work is in the collections of the Minnesota Museum of American Art, the Corning Museum of Glass, the Chrysler Museum Glass Studio, and Toyama City Insitute of Glass Art. Lee has worked as a freelance graphic designer for Chronicle Books and Celery Design Collaborative, and was an Affiliate Artist at Headlands Center for the Arts from 2009-2011. She has taught at Rhode Island School of Design, California College of Art, Toyama City Institute of Glass Art, Pilchuck Glass School, Haystack Mountain School of Crafts, the Chrysler Museum Glass Studio, and the MIT Glass Lab. She is currently an Assistant Professor and Head of Glass in the Art Department at the University of Wisconsin-Madison.

Lika Volkova is an artist and fashion designer based in Brooklyn, New York. Her sculptures and garments have been shown at the Museum of Art and Design and the Queens Museum of Art. Volkova’s label SANS was featured in Vogue, Metal, and Hint, and her work has been commissioned by PERFORMA. Her forthcoming New Economic Policy installation will be shown at The Luminary in St. Louis and at the Ross Art Museum in Ohio in 2018.

Daniel Neumann is a Brooklyn-based sound artist, organizer and audio engineer, originally from Germany. A main focus throughout these different occupations is how sound interacts with space and how spaces can be shaped by sound. He holds a masters degree in media art from the HGB Leipzig and also studied electronic music composition.

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Knockdown Center’s exhibitions are selected through a competitive open call for proposals. Through a multi-round process, exhibition proposals are reviewed by Knockdown Center’s Curatorial Advisory Board and selected based on quality, distinctiveness, and response to Knockdown Center’s unique site and context within an ecosystem of live events.

Founded in 2015, the Knockdown Center’s Curatorial Advisory Board is currently comprised of seven sitting arts professionals with diverse but overlapping interests and fields of expertise. The Curatorial Advisory Board meets bi-annually to provide critical feedback on a wide range of proposals as well as contributing to discussions about larger programmatic goals. To learn more about proposing an exhibition or short-term project please visit our Proposals Page.