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Kollektiv Turmstrasse / Öona Dahl / Daniel Cowel

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Kollektiv Turmstrasse (Diynamic Music / Musik Gewinnt Freunde / Germany)

Öona Dahl (All Day I Dream / Hallucienda / New York / Germany)

Daniel Cowel (Zero / New York)

*** TICKETS ON SALE NOW: https://ktkdc.eventbrite.com/ ***

 

About the Artists

There are few artists operating in the house/techno milieu who offer much beyond functionality in their music. Those who bring more than this to the table always stand out from the crowd. Hamburg/Berlin duo Kollektiv Turmstrasse (Christian Hilscher and Nico Plagemann) are one of those rare acts whose music caters for both body and soul.

Their cinematic take on 4/4 electronica has won praise from all quarters via releases on Diynamic, Connaisseur and their own Musik Gewinnt Freunde imprint. Debut album Rebellion der Träumer (‘The Dreamer’s Rebellion’) demonstrated a prowess beyond the realms of the dancefloor, laden with frosty electronic melody, downtempo rhythm and classy vocals. A busy remix schedule has seen them grace the likes of Cocoon, Get Physical, Soma, Poker Flat, Defected, Systematic and Traum, reworking multifarious acts including Trentemøller, Hot Chip and Terry Lee Brown Jnr. along the way.

Their sense of emotion – informed by their upbringing on Germany’s visually arresting Baltic Sea coast – lends their productions a human warmth, allowing them to slot effortlessly into both club and home listening scenarios. “Wide; open; top-heavy; all-consuming; shifted; simple; these are the words we use to describe our sound. We use both digital and analog. First and foremost we produce music for ourselves. We don‘t predetermine whether it’s suited for home or club environment.” This lack of contrition serves them well. Electronic music is an art for them; not a science.

Watching their live show reveals how their music connects with crowds on an emotional level, and how its melodic and textural depth works in such synergy with its rhythmic backbone. “We play live with two MacBooks running Ableton Live with over a thousand clips, which gives us a lot of space to improvise. The whole thing is controlled with one iPad each which allows us to work very fast and intuitively.”

Their show has been finding them in high demand across the globe, and has helped them to strengthen their relationship with Solomun’s Diynamic label – playing at their international parties while releasing music with them on a regular basis. “They have been friends of ours for over ten years” says Solomun. “It was a mere matter of time for them to join in. Mutual friends, interests and in general a similar perception of music and life brought us together.” While the label’s sound has evolved in recent years, there has always been a place for Kollektiv Turmstrasse within their fabric. “One thing that we all have in common is a certain melancholy and harmony in our productions.” For a duo who don’t like to be pigeonholed, it’s a perfect fit.

“The journey has alway been more important to us than the reward” Christian and Nico say on their future with music. “There is a lot to discover along the way and it might just be that the detour is the more scenic route to the next goal.” With such an organic pulse running through their productions, it should come as no surprise that they hope their career progresses in similarly unforced fashion.

Öona Dahl’s home is found beyond the conscious state, transforming dance floors into spaces wreathed in sound. With an open mind and a vast range of music knowledge, she knows how to connect on another level when playing her music to the crowd. Testing traditional musical limits with extended mixes, isochronic tones and melodies, Öona’s breadth of skill behind the decks is hard to match. A graduate of The International Academy of Design and Technology for Digital Media and Recording Arts. Her original production spans broad dance floor territory, from Techno, Deep House to Experimental Electronica. Finding the balance between light and dark with both her solo work and as Slumber has kept her inspired and able to express both arrays of emotions through her sound.

A true perfectionist, Daniel Cowel has traveled the world in search of the deepest roots of music and matched his geographical education with a deep study of the nature of the art, which is reflected in the breadth and integrity of his sets. An extremely humble and gracious human being, Daniel Cowel has built an international name for himself with his ZERO residency opening sets, carefully warming rooms and crafting slow boiling vibes, each set individually handled with delicate care and respect for whoever comes next. Yet, when his moments to shine arrive, Daniel Cowel delivers, giving us some incredible memories.

Akumandra

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AKUMANDRA SHOWCASE

For compositions that are interpreted in moderate musical time, AKUMANDRA surfaces as a projection space for sound in which the artists reproduce and diffuse their projects to a public hungry for the reception of vanguardist concepts. Concepts that recreate hearing and mood from a perspective of a positioned observation opened unto an amalgam of original results in musical creation.

21+
10pm-5am

New Years Eve ‘Time + Space’ with Claude VonStroke

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Hospital Fest

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HOSPITAL FEST 2018

Hospital Productions — the cult NYC record label specializing in underground music, founded in 1997 by Dominick Fernow — returns for its annual festival showcasing the interconnectivity of cold music subcultures. Voyeurs will discover a diverse and heavily curated cross section of the noise, electronic, and metal music landscapes hardening before the December solstice

EARLY SHOW – 12PM [Early show tickets include entry into the late show]

Featuring: Power Trip with Prurient & Iggor Cavalera (of Sepultura), Merzbow, Jesu with special guests [Justin K Broadrick], Kelly Moran, Linekraft, Final [Justin K Broadrick], Autoerotichrist, 51717, Zohra Atash, Country Club, Nikki Sneakers, Ron Morelli official – Live

LATE SHOW – 11PM

Featuring: Silent Servant (Official) – Live, Shifted, Becka Diamond, Ancient Methods

+ More To Be Announced

all day: all night

Andy Stott / Demdike Stare / Nick Klein / rrao

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Quo Vadis and Knockdown Center Present

Andy Stott – Live
Demdike Stare
Nick Klein – Live
rrao – Live

21+

Andy Stott [Modern Love] With a sound that’s both worldly and underworldly, elegant and hauntingly distorted, Andy Stott is one of dark electronic music’s most cherished producers. The Manchester native deconstructs the traditional elements of dub and techno—analog Roland synths and Elektron drum machine grooves—compounding them with idiosyncratic melodies and field recordings, resulting in a sound that’s infinitely listenable yet boldly provocative. Moments of sentimentality recall the glory days of rave and euro-house before deliberately and unceremoniously decomposing into a stark sonic void

Stott’s dancefloor mastery and left-field sensibility have made him a cult favorite, with adherents everywhere from the obscure nooks of Berlin’s Berghain to the pages of Pitchfork, who awarded their Best New Music designation to both his 2014 album Faith In Strangers and 2012’s Luxury Problems. His new record, 2016’s Too Many Voices was lauded by Tiny Mixtapes, who described it as “home to some of his most severely commanding and disturbingly tender songs to date.”

Demdike Stare [Modern Love] A Quo Vadis favorite back with us for the fourth time, Demdike Stare is equal parts rhythmic noise and occult black magic. Miles Whitaker and Sean Canty grew up in Manchester and bonded over a love of crate-digging. In the late aughts, they formed up as Demdike Stare, named for the Pendle witch coven matriarch Demdike (née Elizabeth Southerns). Their sound meshes syncopated breakbeats with primal pounding, slick-wet ambiance with dusty samples, luscious drones with expansive orchestral passages. Allmusic praised their 2016 Wonderland, saying, “Demdike Stare sound like they’re having an enormous amount of fun coming up with the most off-the-wall bangers they can summon from their machines.”

Nick Klein [LI.E.S/Bank/Alter] A prodigy of gritty electronic textures with roots in Miami, Nick Klein is a producer, event curator, and co-founder of the Primitive Languages imprint based in Brooklyn. He has been putting out a stream of experimental noise contraptions and infectious minimal tech bangers since 2013. Labels that have published Klein include ALTERBANK Records NYC, and Ascetic House, as well as LIES Records News who released his 2016 EP Rhinestone Cowboy, an underground hit. Krossfingers calls his 2018 EP Lowered Flaming Coffin a “phenomenal release,” adding, “it feels fresh after listening.” He recently performed a b2b set with Cienfuegos broadcasted by Boiler Room from the eighteen-hour Fourth World party series

rrao [The Bunker New York] Known primarily for working soundboards at dancefloors and underground boîtes, rrao is currently releasing her first original tracks, and she’s letting the music do the talking. Her debut single “Anita”, a track rich with stereoscopic drones, driving tablas, and immersive found sounds, appeared on the 15 Years of The Bunker compilation. She’s often seen spinning alongside her labelmates from The Bunker at Brooklyn most beloved spots

Ben Klock / Anthony Parasole / Newa

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Knockdown Center presents Ben Klock (Ostgut Ton, Klockworks)

with support from Anthony Parasole (Ostgut Ton, Output), Newa (Klockworks, Semantica, Bassiani)

Knockdown Center is thrilled to welcome Klockworks label-founder Ben Klock to its main space on November 23rd, 2018 along with Output resident Anthony Parasole, and Klockworks labelmate Newa in support. A fixture in Resident Advisor’s top-10 DJs for the better part of a decade, Ben Klock needs little introduction. Having become a Berghain resident in 2005, he has since established himself at the forefront of Berlin’s modern Techno movement, an ever-present symbol of the city’s vast musical landscape. His long-standing relationship with the notorious Techno institution has formed the backdrop to his success, providing an invaluable platform that has allowed him to become one of the most in-demand DJ/producers of the current generation.

Those who have witnessed him perform will note not only the diversity in his track selection, but also his ability to create a room rather than just play to it. Though intense and powerful, his DJ output reflects a certain kind of fervour, capturing an artistry and emotion that can often appear absent from the Techno genre. He also possesses a wonderful understanding of how to adapt his music to the circumstances, a competence that means he can be found at both large-scale festivals and small intimate club settings around the world.

Klockworks, a label Ben founded in 2006 as a home for his more raw and minimal productions, has shifted its focus over recent years to become a medium for him to present his more diverse personal tastes and support developing talents. The growth of the label has been aided by a series of showcases at various international locations, including London’s Village Underground, New York, Barcelona, Detroit and Berlin, with more on the horizon.

Anthony Parasole should also need no introduction to newer or longer-standing dancers of the New York Deep House and Techno scenes. Born and raised in Brooklyn, NY, Anthony Parasole has had a lifelong love affair with electronic music. Listening to radio shows playing the early dance tracks from New York, Chicago, Detroit, and beyond, really perked up his ears. His earliest experiences at the New York clubs and Storm Raves blew his mind wide open. His engulfment in this gritty New York street music and culture is an influence on his style to this day, not only in his music but in the entire artistic aesthetic of his labels.

Anthony has productions out on his own labels, The Corner & Deconstruct, as well as for Marcel Dettmann’s mighty Techno imprint MDR. Parasole has since made the progression to resident at Berghain and through this platform he began shaping his sound and technique, pushing his deep, raw, driving, rhythmic, percussive, and mesmerizing sound that club-goers have come to know and love. Soon after, Anthony became resident at Output in his home town Brooklyn, NY and he continues to consistently challenge dancefloors worldwide.

Newa (real name Ana Kublashvili) hails from Tbilisi, Georgia, and has grown into one of the most talented and recognized producers from the region. Being the first female DJ/producer to have releases on Ben Klock’s label Klockworks, with additional releases on Bassiani and Semantica, Newa has played alongside Klockworks artists at Photon showcases at Berghain, Bassiani and others across the world.

Yaeji

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PopGun Presents: Yaeji

One More – The Tour

withs Support from:
Victoria Sin & Shy One
NK Badtz Maru b2b Phoneg1rl

8 PM // $25-30 ADV, $35 DOS // 18+

TICKETS ON SALE FRI 8/3 @ 11AM➟ https://yaeji.eventbrite.com

Watch Yaeji’s video for “Raingurl”: https://youtu.be/_3T8KznhThQ

Yaeji’s music is an invitation into an intimate, healing, world exploring cultural identity and self-reflection through dreamlike house productions that morph from whispery confessionals to dancefloor burners. Born in Queens, NY to South Korean parents, Yaeji repatriated to Seoul shortly after, where she spent her formative years attending school, learning Korean and English side-by-side. Yaeji returned to America to study fine arts, east asian studies, and communication design at Carnegie Mellon University in Pittsburgh, Pennsylvania. Throughout her studies, Yaeji made a home for herself at the college radio station, where she was introduced to the local underground electronic music community and seminal club nights like Hot Mass, all formative experiences leading to her fascination with dance music production. With her fully-fledged music obsession in tow, Yaeji moved back to her birth city after graduation and began cultivating her own community of artists and DJs in Brooklyn’s local dance scene while recording music of her own. Yaeji’s first musical offering, her self-titled Yaeji EP, found the producer merging her club influences with songwriting and hazy raps flitting between Korean and English. Most recently, Yaeji followed up her debut with EP2, featuring singles “Drink I’m Sippin On” and “Raingurl.” EP2 marks Yaeji’s ascendance as a singular and leading voice in dance, hip-hop and avant-pop music.

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