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Man Forever w/ CCDS + Collapsible Shoulder

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Man Forever
Man Forever is an exploratory percussion project helmed by John Colpitts (aka Kid Millions), one of New York’s most versatile and critically lauded collaborators and a founding member of Oneida.

https://johncolpitts.bandcamp.com/

 

CCDS
From St. Louis – Two Drummers, two drum sets. SciFi and Horror blasts.

https://ccdsdeathsquad.bandcamp.com/releases

 

Collapsible Shoulder
Collapsible Shoulder’s music is drawn from its members’ years in the downtown NYC and Brooklyn music scenes: neo-psychedelic with unpredictable twists and turns, an electronic-acoustic-sonic mash.

https://collapsibleshoulder.bandcamp.com/releases

Nomads Only & De La’funk

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Nomads Only & De La’funk… A Day In The Clouds V Body:

 

A Day In The Clouds is when we’d like to have you around!
A special day out is what we like to do and are all about…
A new collaboration and a brand new venue situation.
A music art love affair, early Spring transformation…

 

Vincent Lemieux (Mutek, Musique Risquee / Paris)

 

Giammarco Orsini

 

Nabeel (De La’funk, BK)

aCCeSsions Journal Launch

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To celebrate the launch of aCCeSsions issue three, the journal’s editorial team will host an event featuring DJ sets from artists Juliana Huxtable, James Hoff and HD at the Knockdown Center. aCCeSsions is the online journal edited by the graduate students at the Center for Curatorial Studies, Bard College (CCS Bard) in Annandale-on-Hudson, NY.

Issue 3: “Transmissions

Digital Launch: Thursday, March 16, 2017
https://accessions.org/

Launch Party: Saturday March 18, 7pm
Featuring DJ sets by James Hoff, Juliana Huxtable, and HD
Event is free and open to the public

Issue 3 contributors: Armen Avanessian, Dora Budor, Lauren Duca, Miriam Felton-Dansky, Anna Friz, Chrissie Iles, Daniel Llano Parra, Christopher Roth, and Shuddhabrata Sengupta.

The latest issue of aCCeSsions features nine new commissions from artists, curators, critics, journalists, and scholars. Articles, artworks, and interviews address the ways ideas are packaged and the politics latent in their dissemination. “Transmissions” considers what happens when information is intercepted, mediated, or fragmented. The high stakes of curating discourse and technological secrecy are discussed in an interview with Armen Avanessian and expanded upon in his film with Christopher Roth, Discreet, which will stream exclusively on aCCeSsions. Chrissie Iles’ interview discusses the construction of community in cinema and her curatorial approach to crafting of a total viewing experience, while Lauren Duca’s essay raises questions about the circulation of the Pepe the Frog meme and the ways the cartoon character has been co-opted as a malicious mascot. This third issue of aCCeSsions assembles interdisciplinary perspectives that reassess the concept of transmission.

This issue also marks the redesign of the aCCeSsions website by Other Means, a graphic design studio in New York City. The revamped format features animated content and visual interventions that seek to redefine the experience of this online publication. The journal’s redesign also marks the introduction of BackTalk, a bi-monthly selection of personal trains of thought and ruminations shared by our student editors and found in aCCeSsions.

About aCCeSsions
aCCeSsions is the graduate student-led online journal of the Center for Curatorial Studies, Bard College.

The second year graduate students comprise the editorial board of aCCeSsions. Together, they employ a collaborative approach to commissioning, editing, and curating new transdisciplinary writing and artworks for online space. These new visual, text-based, and aural contributions revolve around a new theme each issue. The journal also includes a new section called BackTalk. Here, each individual editor will publish a compilation of links related to their trains of thought, on a bi-monthly basis.    

aCCeSsions represents a culmination of each graduating class’ collaborative interests and concerns. The platform is a space in which graduate students may test the limits of curatorial practice over the course of an annual publication cycle.

Past issues of aCCeSsions are available in the “Archive” section of the website. The website and each issue of the journal has been designed by Other Means in close collaboration with each graduating class at CCS Bard.

 

Rapoon:Pas Musique:House of Blondes:On A Clear Day:Luciernaga:Jim Tuite-Live Visuals

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Founder member of zoviet france 1980-1992. Worked as rapoon since 1992.
Numerous solo works and collaborations with other artists. Projects include music for film
and modern dance productions. Also a visual artist exhibiting widely and internationally.
Works with Mark Spybey DVOA (also ex-soviet france) as Reformed Faction.

Pas Musique
http://www.pasmusique.net/

Pas Musique started in 1995 out of Brooklyn, NY, USA, driven by the creative talents of Robert L. Pepper working in the mediums of sound and video. Since then Pas Musique has evolved into a collective with many different instrumentations and lineups. Permanent members include Jon “Vomit” Worthley, Michael Durek, and Robert Pepper. An additional past member was Amber Brien until 2015. Guests and occasional collaborators include, Brett Zweiman, David Tamura, Cathy Heyden, Jim Tuite, Brandstifter, Robin Storey, Philippe Petit, ZEV!, HATI, Steve Beresford, Will Seesar, Matt Chilton, Anthony Donovan, Chester Hawkins, and many others.

House of Blondes
http://houseofblondes.com/

House of Blondes is an electronic quartet, whose debut album was recently acclaimed by The Quietus as “the most phenomenologically beautiful album heard in a long time. The synthesisers across the whole record sound like they’re floating in the room in front of you, as though the tendrils of their oscillations and reverberations are reaching out and stroking your face, your skin, your inner organs.” Best New Bands premiered their newest track “Are You Boys All Right?”, praising it as “a dark, ambient pulser that feels like it could be part of a soundtrack to a Wong Kar-Wai film, evoking images of a smokey night punctuated by neon lines”.

On a Clear Day
https://onacleardaynyc.bandcamp.com/

Musicians David Grant (DeTrop / Action Patrol) and Ryan Martin (York Factory Complaint / Copley Medal)

Luciernaga
https://luciernaga.bandcamp.com/

Luciernaga is the solo recording project of Joao M. Da Silva, owner of Fabrica Records. Luciernaga uses field recordings, guitar, shruti box, buddha machine, mbira, and cassettes to create textures.

Break the Dawn Release Party

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Join us for a Break the Dawn Release party, featuring Traxman, The Present, Bohan Phoenix, and Acey  and Violet Systems. Come through!

 

UNSEEN HAND: O Paradiso

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This is a special show that accompanies our current exhibition, UNSEEN HAND. Featuring exhibition artist Todd Fink’s collaborative project with his wife Orenda, CLOSENESS.

 

O Paradiso

 

CLOSENESS

 

ROARKE MENZIES

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