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Bedouin Presents: SAGA

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The story began in Ibiza this past summer. Launched at Heart, every Sunday night throughout the season, SAGA, with Bedouin at the helm, quickly became one of the island’s most successful new parties.

SAGA is a musical odyssey, feeding the senses and elevating the collective experience. Now SAGA leaves Ibiza for the very first time.

Bedouin’s Rami Abou-Sabe and Tamer Malki expressed their excitement bringing the SAGA event to their hometown:
“The summer we just spent in Ibiza hosting our SAGA series at HEART really surpassed anything we could have imagined. The response from both our industry peers and our fans has been truly amazing and overwhelming. Being from Brooklyn, New York is a city that means so much to us and so we couldn’t think of a better place than our hometown to recreate the magic of SAGA for the first time outside of Ibiza.”
– Mixmag

Victor Calderone [New Year’s Day]

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It’s not all about New Year’s Eve! Keep the party going with this New Year’s Day party at Knockdown Center. Brooklyn-born producer and DJ Victor Calderone crosses the border into Queens to ring in 2018.

About Victor Calderone
The words “world-renowned” and “influential” get thrown around all too often these days, to the point of almost becoming cliché. While few artists actually measure up, all it takes is one look at Victor Calderone’s 20+year track record and the facts speak for themselves. From past collaborations with some of the biggest names in pop like Madonna, Sting and Beyoncé Knowles, to more recent collaborations with the likes of Adam Beyer, Richie Hawtin, Nicole Moudaber and Paco Osuna, Victor’s constantly evolving approach and contributions to the worlds of house and techno music has earned him a place firmly at the top among the world’s most prolific DJs and producers.

Introduced to New York nightlife at only 15 years of age by his older brother Cesar, Victor quickly developed an intense passion for dance music that would form the foundation for the Brooklyn native’s remarkable career. While his accomplishments as a remixer, producer and DJ are well known among those in the scene, Victor understands and appreciates the importance of continually evolving. He has reinvented his musical style and now treats listeners to an edgier darker sound.

Barbercon 2018

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Barbercon is the premier global festival of the barbering community. Launched in 2016 by Lee Resnick as the live networking event for Barbershopconnect, the first social site exclusively for barbers, Barbercon brings together thousands of high-profile and amateur barbers, cosmetologists, and brands from around the world. The Barbercon experience is centered on bridging the gap between Cosmetology and Men’s Grooming, and comprises of three stages for live haircutting tutorials and product demonstrations, education classes, an expanded indoor/outdoor Barbercon Marketplace, the prestigious Barbercon Awards, a barber themed art gallery, and many more unique surprises and special guests. The most exciting addition is the outdoor festival area that will feature artisanal food trucks, drinks, music, games, and an exclusive VIP Lounge featuring a private bar, comfortable lounge area, activations, gift bags, and more. For more on Barbercon and Barbershopconnect check out www.barbercon.com.


Barbercon VIP Package:

  • 2-Day General Admission Ticket to Barbercon ($60 Value)
  • Early Entry (prior to General Admission doors)
  • Access to One (1) VIP-Only Education Class (prior to General Admission doors)
  • Access to a an exclusive VIP lounge (ft. games, luxury décor, and more)
  • Access to exclusive VIP only cash bar (top shelf liquor, beer & refreshments)
  • One (1) VIP Gift Bag
  • One (1) custom VIP laminate

Available here

 

A Shared Evening of Performances with Movement Research 2017

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Please join us for A Shared Evening of Performance, presented by Movement Research 2017 Van Lier Fellows Fana Fraser + NIC Kay.

Fana Fraser with Martell Ruffin
no talking while eating fish a bone will stick in your throat (work in process)

a sermon, a story
a study, a speech�
a slippery shape shifting song of songs�
of shamed desire,�
fueled by blood and rage and a mortared pound of salted flesh.

a slow re-membering.

Born and raised in Trinidad & Tobago, Fana Fraser is a performer living in New York City. She is a Movement Research 2017 Artist-in-Residence Van Lier Emerging Artist of Color Fellow and a CUNY Dance Initiative 2017-18 resident artist. She was nominated and selected for MANCC Forward Dialogues, the 2017 inaugural choreographic lab for emerging movement-based artists at the Maggie Allesee National Center for Choreography. Fana was a 2016 resident artist at the Dance & Performance Institute in Trinidad & Tobago and for Open Call 2016 – a partnership project between BAAD! and Pepatián. Her performance work has been presented at Trinidad Theatre Workshop, Emerging Artists Theatre, BAAD!, the CURRENT SESSIONS, WestFest, Movement Research at the Judson Church, Gibney Dance, and La Mama Moves. She is an Honors graduate of the Ailey/Fordham BFA program and has performed with Ailey II, Sidra Bell, Francesca Harper, Andrea Miller, The Metropolitan Opera, and with Ryan McNamara for Performa 13, Art Basel Miami, Guggenheim Works & Process, and Frieze New York. Fana is currently the Rehearsal Director for Ailey II and also performs with Camille A. Brown and Ryan McNamara. http://www.fanafraser.com/


NIC Kay presents work in progress
GET WELL SOON! You Black + Bluised
a duet with Tasha Carter

This work is a continuation of their exercises in getting well soon, a project / meditation based on the loose and often used phrase indicating a hope of recovery. These exercises have been articulated as movement, installation, games, endurance, ritual, poetry, and collective action.

The site specific work, GET WELL SOON! You Black + Bluised is a performance of abstract bids in movement and tableau.

NIC Kay is from the Bronx. Currently occupying several liminal spaces. They are a person who makes performances and creates/organizes performative spaces. Their current transdisciplinary projects explore movement as a place of reclamation of the body, history and spirituality. NIC has shown work at venues throughout the United States and Internationally. NIC Kay will be a 2018 Artist in Residence at Pioneer Works in Red Hook, Brooklyn. https://www.nic-kay.com/

Movement Research is a NYC based creative services organization offering classes, workshops, residencies, exchanges, informal showings, discussions, and both printed and online publications that all serve as laboratories for the investigation of dance and movement-based forms. Located in various studios, churches, and cultural centers throughout lower Manhattan, Movement Research is dedicated to the creation and implementation of free and low-cost programs that nurture and instigate discourse and experimentation while striving to reflect the cultural, political, and economic diversity of its moving community. Begun as an artist-run organization, Movement Research continues today to be primarily staffed and run by working artists, valuing the individual artist and their creative process and creating opportunities that spur interaction and exchange among choreographers and movement based artists.

The Movement Research Van Lier Emerging Artists of Color Fellowship is a year-long program for two NYC movement-based artists of color between 22 and 30 years of age. The fellowship provides creative research support, rehearsal space, mentorship, performance and related opportunities. Designed to support the artists’ individualized creative process, the fellowship uses the resources available to be responsive to each artist’s needs. In addition to providing resources and experiences during the year of their fellowship, the program facilitates support for laying groundwork for the artists’ future. Artists are selected through an open application and panel process; past Fellows include Jasmine Hearn (2016) and Shantelle Courvoisier Jackson (2016).

The Movement Research Van Lier Emerging Artists of Color Fellowship is supported by New York Community Trust through the Edward and Sally Van Lier Fund.

Movement Research gratefully acknowledges public support from the National Endowment for the Arts (a federal agency); the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; the New York City Department of Cultural Affairs in partnership with the City Council as well as City Council Member Rosie Mendez; Manhattan Borough President Gale Brewer’s Manhattan Community Award Program; and Materials for the Arts (a program of NYC Department of Cultural Affairs, NYC Department of Sanitation, and NYC Department of Education). Movement Research also gratefully acknowledges the generous contributions of private support from the Andrew W. Mellon Foundation; Davis/Dauray Family Fund; Harkness Foundation for Dance; Howard Gilman Foundation; James E. Robison Foundation; Jerome Foundation; Marta Heflin Foundation; Mertz Gilmore Foundation; New York Community Trust Edward & Sally Van Lier Fund; NYU Community Fund; Shelley & Donald Rubin Foundation; Trust for Mutual Understanding; Valentine Perry Snyder Fund; from MRX partners Asian Cultural Council; CEC ArtsLink; and Konstnärsnämnden/The Swedish Arts Grants Committee; and from all of the dear Friends of Movement Research, who contribute financial support, labor and love.

Thanks always to the clergy, staff, and congregation of Judson Church; Judson continues to be a beacon for free spirits in the arts and politics and a leader among progressive faith communities in the city and nation for over 100 years. Enormous gratitude to Frances Alenikoff (1920-2012), founder of Eden’s Expressway, and to her daughter Francesca Rheannon and family, for their continuing belief in the mission of Movement Research and for keeping alive Frances’ spirited example of what lifelong artistry is. Special thanks to Abrons Arts Center, Danspace Project, and Gibney Dance Center for their ongoing partnerships; and to East Village Dance Project and GOH Productions, owners, and operators of Avenue C Studio.

Image of Fana, photo by Whitney Browne
Image of NIC, photo by NIC Kay

Isaac Pool: 40 Volume

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Knockdown Center presents 40 Volume, Isaac Pool’s first solo exhibition in New York, an installation and sitcom-length play starring three sock-encrusted vases and a head of fennel. In 40 Volume‘s performances, the vessels depart from their place in the adjacent gallery and chat together through filters of personal mythology and melodramatic pop lyrics to find sisterhood.

The exhibition includes paintings and sculptures: each character from the play holds a space marked by surfaces of dollar store glitz and janky, poetic objects. The paintings are assemblages of sculptural elements, a mass of accumulated and arranged material that is anchored to the wall; whereas the sculptures, with their humorous constructions, are suggestions for pertinent lifestyle choices. As a study in aspirational whiteness and its discontents, 40 Volume matches its protagonists’ delusions with a tenderness as charming as it is suspect.

Exhibition Events

January 13, 7:00pm
Opening Performance and Reception
February 24, 7:00pm
Closing Performance and Reception

40 Volume’s play is performed by Alisa Besher, Zachary Delamater, Scears Lee, Martha Moszczynski, Alejandra Venancio, and Isaac Pool. A version of 40 Volume was originally published in Volume 3 of Haunt Journal (2016). Isaac Pool: 40 Volume was organized by Samuel Draxler.

Isaac Pool is an artist who makes performances, photographs, sculptures, videos, and texts. Pool images sites of embodiment and provisional glamours; he has held positions as a character actress, pet empath, and object choreographer. As a teenager, Isaac performed in Detroit nightclubs using video projections, trash costuming, and cheap audio software under the name RENTAL. Beginning in 2008, Pool performed as feminist anti-hero and celebutante Sally Johnson and retired the character with the 2013 film A Alternatives, featuring a wardrobe by BCALLA and soundtrack by Samuel Consiglio and Colin Self. Recent performances include The Knockdown Center, Judson Memorial Church, and La MaMa (all NYC). Recent exhibitions include La MaMa Galleria, NYC; Green Gallery, Yale, CT; and Mindscape Universe, Berlin. His first full length book of poems in print, Light Stain, is available from What Pipeline, Detroit. Alien She, an ebook dedicated to Mark Aguhar, is available from Klaus eBooks. Pool holds an MFA in Fine Art from Parsons the New School for Design (2013) and a BFA in Interdisciplinary Electronic Art from Wayne State University (2010).

 

Recent Press for 40 Volume:

“The characters, voiced live by actors, include a robust head of fennel—the diva—and three vases composed of tube socks suggestively encrusted with hair gel. The objects’ quipping exchanges, punctuated by a cappella renditions of songs by pop stars such as Mariah Carey and Billy Idol, reveal a complex but affectionate homage to femme fabulousness, shot through with class anxieties.” – Wendy Vogel for Artforum

“I think about making the objects as elegant as they can be, and it’s interesting because people read an irony in the materials as if I am critiquing them as trashy elements of consumer culture, and I always have to be like “No! These are objects of love.” These are things that I appreciate, and that is part of the world that I came from.” – Isaac Pool interviewed by Jeanine Oleson for BOMB

“Multimedia artist, character actress, and self-proclaimed “object choreographer” Isaac Pool combines unlikely found objects and materials — pickles, lipgloss, and foil are of the lot — for his vaguely glamorous sculptural oddities.” – Julia Gray for Papermag

***

Knockdown Center’s exhibitions are selected through a competitive open call for proposals. Through a multi-round process, exhibition proposals are reviewed by Knockdown Center’s Curatorial Advisory Board and selected based on quality, distinctiveness, and response to Knockdown Center’s unique site and context within an ecosystem of live events.

Founded in 2015, the Knockdown Center’s Curatorial Advisory Board is currently comprised of seven sitting arts professionals with diverse but overlapping interests and fields of expertise. The Curatorial Advisory Board meets bi-annually to provide critical feedback on a wide range of proposals as well as contributing to discussions about larger programmatic goals. To learn more about proposing an exhibition or short-term project please visit our Proposals Page.

Sunday Service: Camilo Godoy Presents…

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Camilo Godoy presents the December Sunday Service titled We have to live differently that brings together artists from various disciplines to explore ideas of “difference.” The title is borrowed from Alice Walker’s poem “Calling All Grand Mothers.” This program projects a video piece by artist Eduardo Restrepo standing with their gender-nonconforming self in front of a cathedral, writer Ella Boureau reads excerpts from her lesbian erotica, poets Jorge Sánchez and Xavier Valcárcel read about homosexual encounters, love, lust, and Latinidad, dancer Miguel Angel Guzmán improvises various movement phrases throughout the space to interrogate how the body moves, and artist Jordan Demetrius Lloyd performs a scored improvisation solo about blackness, sensuality and the audience’s gaze. This program confronts questions of gender, sexual, and racial difference to insist that we live differently.

Image: Camilo Godoy, ‘Allie Rickard,’ from the zine ‘Amigxs,’ 2017, photography.

About the Curator

Camilo Godoy is a multidisciplinary artist whose practice is concerned with the construction of political meanings and histories. His work engages with conceptual and choreographic strategies to negotiate questions that confront the politics of citizenship, imperialism and sexuality. Godoy analyzes and challenges past and present historical moments to imagine different subversive ways of being. He was born in Bogotá, Colombia and is based in New York, United States. He is a graduate of The New School with a BFA from Parsons School of Design, 2012; and a BA from Eugene Lang College of Liberal Arts, 2013. Godoy is currently a resident at the International Studio & Curatorial Program (ISCP) and was a 2015-2017 Movement Research Artist-in-Residence; 2014 Keyholder Resident, Lower East Side Printshop; 2014 Hemispheric New York Emerging Performers Program Fellow, The Hemispheric Institute of Performance and Politics, NYU; and 2012 Fellow, Queer Art Mentorship. His work has been presented at venues such as Center for Performance Research, New York; Judson Church, New York; La Mama Galleria, New York; Donaufestival, Krems; and Mousonturm, Frankfurt, among others.

About the Artists

Ella Boureau
Ella Boureau is an NYC based playwright, director, essayist, and short-story writer, as well as the Awards Coordinator for Lambda Literary Foundation. She founded and ran the online magazine and reading series In the Flesh for several years. Her writing has been featured in Guernica, Tin House, Slice Magazine, and Full Stop, and her first play, Helps to Hate You a Little: A Lovestory debuted at Cloud City in November 2016.

Miguel Angel Guzmán
Miguel Angel Guzmán is an independent dancer and actor residing in New York City. He has lived and performed in Mexico, Tel Aviv and Berlin, and continues to travel extensively to make work alongside artists from various disciplines. His most recent collaborations include work with choreographer Coco Karol as well as with musicians Lady Rizo and Amanda Palmer. He will been seen next in Romanian choreographer Alexandra Pirici’s commissioned piece at the New Museum of Contemporary Art at the beginning of February 2018.

Eduardo Restrepo-Castaño
eduardo restrepo-castaño generates surreal narratives through a practice that draws from academic research and lived experience, to delve into sites where social constructions around nature, gender difference, and the diasporic condition overlap. Co-founder of curatorial platform Sweety’s, as well as participant at Skowhegan School of Painting and Sculpture, restrepo-castaño has exhibited in spaces such as SOMA (Mexico,) Musée de l’Élysés (Switzerland,) and Bruce High Quality Foundation (New York,).

Mike Funk
Mike Funk is a writer who draws. He lives in Brooklyn, New York and makes comics, music and time for his cat.

Jordan Demetrius Lloyd
Jordan Demetrius Lloyd is a NYC based artist living in West Harlem. Originally from Albany, NY he is a graduate of The College at Brockport. He has collaborated with and performed for Karl Rogers/Red Dirt Dance, Netta Yerushalmy, Tammy Carrasco/Wild Beast Dance, Brendan Drake and David Dorfman Dance.

Xavier Valcárcel
Xavier Valcárcel is a Puerto Rican writer and editor. In 2009, he founded in San Juan, along with Puerto Rican poet and translator Nicole Delgado, the editorial project Atarraya Cartonera, the first Cartonera project in the Caribbean. He has published seven poetry books to date and his work has been translated to English, German and Portuguese.

About Sunday Service
Taking place the first Sunday of each month, a guest curator is invited to organize a salon style evening of cross-disciplinary performances and presentations that brings together a multiplicity of views around a singular prompt, such as a question, theme, or formal structure. Sunday Service centers works in progress, interdisciplinary endeavors, and diversity in format showcased in a lo-fi environment to foster the testing of ideas and critical discourse amongst peers.

Brunch Bounce

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Save some space this Thanksgiving Eve; we’re serving up 5 DJs in the main room, featuring RedBull Thre3Style Champion Four Color Zack, and 5 more DJs in our Global Music Room playing some of the best music of different genres from around the world.

TICKET-PAGE-NOV

Cura(Collected) Closing Performances

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Join us for the closing performances of Cura(Collected), an exhibition on view in Knockdown Center’s galleries November 4 – December 3rd, 2017.

Sunday, December 3
4:00pm
Five Movements with Anjuli Rathod and Lily Jue Sheng
Anjuli Rathod and Lily Jue Sheng present Five Movements, a multimedia work comprised of a video, painting, sculpture, and performance with contributions from Nyle Genevieve Kim Kaliski and Zach Hart. Sheng’s choreography between forms explores a deeply personal and contemporary interpretation of Wu Xing, a traditional Chinese concept of elements and cycles. In Five Movements, the artists present a synesthetic environment, combining Sheng’s inspirations from Taoist philosophy, lucid dreams, and ceremonial practices, and Rathod’s interests in dreams, memory, animism, and hybridity. The artists’ integration of their bodies navigate different spaces: between thought and action, theater and reality, immaterial and physical, interior and exterior. This collaborative effort considers the tradition of women practicing ritual in support of themselves and each other in healing from trauma and depression, and as a means of survival under systemic barriers and oppression.

6:00pm
recursos/resources with Eduardo Restrepo Castaño
Eduardo Restrepo Castaño restages their performance recursos/resources, a performative auction. In the piece, the artist auctions off one piece of work, along with three hours of labor to participating audience members. 100% of the money gathered will go towards a monetary fund that will be then given directly to a trans-femme individual in Restrepo Castaño’s home town Quimbaya, Colombia.

Cura(Collected) is an exhibition that accumulates over time in a series of artist interventions that investigate care, empathy, and nurture. Organized by Sessa Englund, Cura(Collected) is a collaborative project by Anjuli Rathod, Eduardo Restrepo Castaño, Oscar Moises Diaz with an accompanying essay by manuel arturo abreu. For this project each artist has brought in collaborators and community for a series of ongoing, cumulative interventions that will take place within an architectural structure inside of the gallery each week from November 4th through December 3rd, and will remain on view in its final state until December 17th, 2017.

In addition to scheduled performances, the collaborating artists will activate the architectural structure in the center of the gallery on a daily basis. As the exhibition accumulates, the material residue and traces of prior interventions will remain in the space alongside a video record of each act.

Exhibition and activation details: https://knockdown.center/event/curacollected/

Cura(Collected) Opening Performances

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Join us for the opening performances of Cura(Collected), an exhibition on view in Knockdown Center’s galleries November 4 – December 17, 2017.

5:00pm – Me eligio with Mariana Herrera Castaño
Mariana Herrera Castaño’s performance Me eligio asks audiences to participate in facilitating the translation between Spanish and English, music and spoken language.

6:00pm – as of it with Justin Cabrillos and Matt Shalzi
Justin Cabrillos presents a dance with performer and sculptor Matt Shalzi, examining contemporary manifestations of the sacred through morphing, repetitive movements. An emulsion of religious fervor, hallucinogenic ecstasy, hardcore moshing, and trance, Cabrillos and Shalzi respond to each other’s somatic improvisations, superimposing gestures that result in sculptural formations that undulate in between abstract and bodily compositions.

About the Exhibition
Cura(Collected) is an exhibition that accumulates over time in a series of artist interventions that investigate care, empathy, and nurture. Organized by Sessa Englund, Cura(Collected) is a collaborative project by Anjuli Rathod, Eduardo Restrepo Castaño, Oscar Moises Diaz with an accompanying essay by manuel arturo abreu. For this project each artist has brought in collaborators and community for a series of ongoing, cumulative interventions that will take place within an architectural structure inside of the gallery each week from November 4th through December 3rd, and will remain on view in its final state until December 17th, 2017.

In addition to scheduled performances, the collaborating artists will activate the architectural structure in the center of the gallery on a daily basis. As the exhibition accumulates, the material residue and traces of prior interventions will remain in the space alongside a video record of each act.

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