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SOUQ Festival is coming to NYC with Viken Arman, Stavroz, Sainte Vie, Crussen, and more on Friday, October 26th.
For their first time in New York City, they are joined by none other than Brooklyn-based Akumandra for a world-class musical collaboration and a two-room Halloween experience at Knockdown Center. Expect the unexpected, as they transform the space into a bazaar for one night only.
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Together we create the greatest circus of all.
Close your eyes and see the future.
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LINE UP
❍ – SOUQ Room:
● Viken Arman (Live)
● Stavroz (live)
● Feathered Sun (live)
● SORÄ
❍ – Akumandra Room:
● Sainte Vie (live)
● Crussen
● Mateo
● Eli
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SET + IMMERSIVE EXPERIENCE by A Forest Dark
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❍ – MYSTERIES & HAPPENINGS
● Smoke, mirrors & illusions abound
● Fortune tellers & magical potions
● Circus acts & performers seen all around
● Follow the light at the end of the tunnel
♦ Ṩ ♦ ounds like the imaginary souk in your head
♦ O ♦ n all the charming melodies and emotions
♦ U ♦ nravelling your craziest dreams
♦ Ϙ ♦ uestioning the red light of the horizon
❍ – MARKETPLACE & VENDORS
● Henna & Body Painting
● Crystal Ball & Tarot Readings
● Face Painting (All That Glitters)
● Atlas Woven: Moroccan Wool Rugs + Eternal Leathers
+ more TBA
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For years, Thrasher Magazine’s Death Match has brought together music and skateboarding for the ultimate skater’s party. Expanding with an East Coast event, Death Match is coming for a two-day bash in New York City! Thrasher X Vans Death Match NYC will be held October 5th and 6th and as always, it’s a free, all ages event with a first-come, first-served policy – no passes or VIP seating and the ramp is open to all to skate.
Neon Gold Records celebrates their 10th Anniversary as a label this September, bringing together an all star lineup culled from their family tree of award-winning artists in New York City on September 29th. Held across two stages at The Knockdown Center (off of the L train Jefferson stop), the celebration will feature live performances from Neon Gold artists:
The Knocks
MARINA AND THE DIAMONDS
St. Lucia (Acoustic Set) ***JUST ADDED***
BROODS
Matt Maeson
Alex Winston
LPX
Your Smith + more!
Tickets start at $50, with VIP tickets priced at $120. More information available here: http://bit.ly/NeonGoldX
The show marks Marina’s first US performance since 2015 and will be The Knocks’ only NYC live performance of the year!
FLIP THESE HOUSES is a concert celebrating Protest Songs, Political Music, and Unity through Song. Net proceeds will benefit Power To The Polls (powered by Women’s March) and select grassroots groups who are helping to win the Congress back from Republican leadership.
President Donald Trump, the Trump administration, and “Trump-ism” as defined by the Presidents words, tweets, and policies, is an existential threat to the nation and to Western democracy as a whole. This concert is a call to all citizens to vote for the opposition party in the November 2018 elections. (Democrats and Independents who caucus with Democrats), and to raise awareness and funds to help win our country back from those who will let it’s legacy be destroyed.
The program will be a revival show of sorts celebrating music with a social conscience. Confirmed performers include
Craig Finn (The Hold Steady)
Ryan Miller (Guster)
Michael Shannon (actor/musician)
Lenny Kaye (Patti Smith Group)
Hamilton Leithauser (ex-Walkmen)
Sam Cohen, Charles Bissell (The Wrens)
Mick Collins (Dirtbombs/Gories)
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Jason Narducy (Split Single, Bob Mould Band),
Sammy James Jr (Kinky Boots/The Mooney Suzuki)
Syd Straw
Richie Birkenhead (Into Another/Youth Of Today)
Britt Daniel (Spoon)
Caithlin DeMarrais (Rainer Maria)
Richard Baluyut (Versus/Flower)
Anders Parker (Varnaline)
Eric Davidson (New Bomb Turks)
Steve Myers(Afghan Whigs/Mighty Fine)
Tom Clark (2A Treehouse)
Mike Fornatale (Left Banke/The Monks)
Renee LoBue
Lenny Zenith
Graham Norwood + more!!
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TV On The Radio celebrates the 10 year anniversary of their classic album ‘Dear Science’ at Knockdown Center, Thursday, September 20th.
TV on the Radio has been called “one of the most compelling American rock and roll stories of the modern age” (BBC), “the most innovative band on the planet” (AV Club) and simply “superb” (Rolling Stone), proving themselves to be one of the most influential bands of the decade. The band consistently confounds expectations while managing to balance respect from critics and peers alike. Their albums grace national ‘best of’s’ and ‘year-end’ lists, including their latest record Seeds (Harvest), topping New York Time’s Jon Pareles’ Best Albums of 2014 list. Their live show has been dubbed, “sexy nerdiness letting go in a controlled blast of unleashed energy” (The Boston Globe).
They’re influential, in their prime, they’re TV on the Radio, and they’ve established themselves as defining musicians of this generation. Seeds serves as another step in continuing to heed their reputation as “the most vital, current band in America” (Associated Press).
Prior to Seeds, TV On The Radio’s 2011 Nine Types of Light, was deemed “pure heaven” by the cherubs at Rolling Stone, earning the band a Grammy® nomination. Dear Science was voted #1 by fans in Pitchfork’s Reader’s Poll and the #1 album in the Village Voice’s Pazz and Jop poll, composed of reviews by more than 800 critics. Following the love the records received, the band went on to grace the stages of Saturday Night Live and The Colbert Report. Earlier records, Desperate Youth, Blood Thirsty Babes and Return To Cookie Mountain stole the hearts of fans and critics alike just the same, winning the Shortlist Music Prize and Spin’s Album of the Year respectively.
Robot, teach us to Pray is a sound performance by composer and robotics developer Efraín Rozas with his robotic percussive sculpture. The robot, coded and built by the artist, recognizes human movements and generates rhythmic patterns in real time. The robot’s percussive patterns are generated by an algorithm and a software developed with a logic that draws from Rozas’ Latin American music background and his personal concepts of time. Through the performance, Rozas’ relationship with the robot becomes a means to create a personal ritual.
Robot, Teach us to Pray is the third and last installment of Myth and Prosthesis, a series of sound installations and performances by Rozas. The series explores new possible paradigms in the relationship between technology, culture, body, and cognitive processes. It also asks what cosmologies, epistemologies, and mind/body concepts are represented in new technological prostheses.
This project was developed with the support of The New York State Council on the Arts/Wave Farm and Harvestworks.
Efraín Rozas is Peruvian Brooklyn based performer/composer and robotics/software developer interested in new paradigms of cognitive technologies and mythologies.
In 2018 he released the album “I enjoy the World” described as “A psychonautic deep dive” by Wire Magazine. His robotic installation “Myth and Prosthesis” has received the NY State Council on the Arts/ Wavefarm Media Arts Assistance Fund 2018, Harvestworks New Works Commission & Residency (New York), a commission from Knockdown Center (New York). He has presented it at the Crazy Music Festival (Luxembourg), Yaam (Berlin), and Worm (Rotterdam).
His work has been featured at CNN, BBC, Washington post, Wire magazine, Daily News, and NPR Soundcheck. He has performed at the Lincoln Center, Brooklyn Museum, Queens Museum, Levitation Festival, and played with his experimental Latin American ensemble “La Mecánica Popular” at Central Park Summerstage Fania Records 50th anniversary in New York. As a researcher he has focused on the experimentalisms of the global south. He holds a PhD in composition and ethnomusicology at New York University. He has published the book “Fusión: a soundtrack for Peru”, and has released several LPS internationally via Names You can Trust, the Ethnomusicology Institute of Peru and the Embassy of Spain. He teaches at New York University and produces “La Vuelta al día en 80 mundos” since 2008, nominated to the best “World Sounds” radio show by Mixcloud.