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Pysanka Egg Decorating

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Free all ages workshop!

The word pysanka is derived from the Ukrainian verb pysaty ‘to write’; we ‘write’ designs on the eggs. Nearly all Slavic peoples and those in the eastern Mediterranean area practiced this art in ancient times using beeswax and dyes to create tiny masterpieces of art but Ukrainian Easter Eggs from the more modern Christian era seem to be the ones best known. The symbols used in pysanka design are a blend of ancient pagan motifs with Christian elements.

A special tool called a kistka is used to melt the beeswax and write on the eggs. The kistka is the pen and the beeswax is the ink. Each successive color is waxed and dyed until the entire design is created on the surface of the egg. The wax is then removed, and your masterpiece is revealed!

Photos by Marek Antoniuk

Piano Vectors

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Piano Vectors
for 6 pianos
: a world premiere by John King

Laura Barger
Taka Kigawa
Joseph Kubera
Jenny Lin
Tania Tachkova
Ning Yu

A major work of 80 minutes in duration for our 30,000 square foot main exhibition space, Piano Vectors for 6 pianos filled Knockdown with rich textures of sound. Each solo pianist was seated at a piano at a chance-determined location. This composition was begun with a system of organizing time, and this system in turn generated all subsequent musical and spatial elements. Imagine the 6 pianists traveling through space and time, each at their own rate, speeding up or stretching time in chance-determined and improvised ways. Piano Vectors explores and summarizes King’s ideas on the organization of time and space as the primary focus of sound.

Auditorium

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AUDITORIUM was an extended evening of site-specific electronic and electroacoustic performances organized by artists/curators Lea Bertucci and Tristan Shepherd. The focal point for this event was a custom 10-channel sound system installed throughout the 50,000 square feet of Knockdown Center. This system acted as the point of departure for multichannel works by innovative sound-based artists Nate Wooley, Sabisha Friedberg,Marina Rosenfeld, Woody Sullender, and Phil Niblock. Bertucci and Shepherd commissioned new works from the seven composers, instrumentalists and audio artists to develop works uniquely suited to the site. The project culminated in a day-long event in which the selected artists presented their projects on site in a roving auditory experience.

For the 2015 iteration of this event, now in its third year, the event drew on a roster of artists whose work represents diverse perspectives, some as instrumentalists, others who come from a sculptural/installation based sound practice and still others whose work centers more on composition.

Curated by Joe Ahearn, presented by Clocktower Productions

This event is made possible, in part, by the Queens Council an the Arts with public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Winter Jamboree

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Free, family friendly Winter Jamboree complete with bounce house, giant obstacle course, a beach themed photo booth, craft corner, a music video workshop and much more!

Join in the fun on February 20th from 11am-2pm.

Malingering Uvula II

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On November 16th, 2012, Knockdown Center hosted an “Malingering Uvula II: The Face That Lied (Geometric Edibles).” The event was billed as “equal parts performance, immersive installation, and dinner party.” Created by artists Camilla Ha and Michael Merck, the ongoing series “sparked by a conversation about the Futurist Cookbook and surrealist dinners.” Ha, Fagan Noose, MV Carbon, Cupola Bobber, Keti Kartveli, Brian Chase, Gabrielle Muller, David Lackner, Aaron Fagan, Zebediah Keneally, and Thermos Unigarde all contributed to the various environments.

Outdoor Interactive Recreational Sculpture Park

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Knockdown Center officially opened its doors to the public on August 10, 2012. To celebrate, Knockdown Center commissioned original works from nineteen artists, designers and architects to create The Outdoor Recreational Sculpture Part (OIRSG). Inspired by both the whimsy of the sport and the formal possibilities of the course’s architecture, these artists created a miniature golf course on the sprawling three acre grounds of the Knockdown Center.

Mini-golf Holes by
Arielle Baio, Astrid Busch, Jeff DeGolier, Aasha Foster, Eric Hagan, Kemeya Harper, Jamie Lin, Rowan Norlander-McCarty, Geetha Pedapati, Anna Pinkas, Zach Postone, Naida Serak, Chris Shelley, Amber Shields, sumu (Gabriela Bruno, Soña Power, Ioannis Sochorakis & Alex Postelnicu), and Brian Wondergem

Musical performances by
Trabajo, Happy New Year, Saturn Dogs, and Tim Garrigan

Bring Your Own Beamer

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On Saturday, October 6th 2012, Knockdown Center presented Bring Your Own Beamer featuring live projections by almost 30 artists accompanied by live music.

Projections by: Sam Ashford, Ivana Basic, Beauty Today, Lily Benson, Dora Budor+Maya Cule, Victoria Campbell, Micaela Carolan, April Childers, Tomashi Jackson, Deborah Johnson, Anna Liberman, Rebecca Leopold, Amanda Long, Hannah Manfredi, Andrew Ross, Wadih Sader, Saki Sato, Joao Salema + Sofy Yuditskaya ,Taylor Shields, Anthony Simon, Nikita Vishnevskiy +more! Live Music by: Lydsod, Trabajo, Raft, Jeanann Dara, Skip LaPlante, and Insect Deli

Holiday Sculpture Farm

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In December of 2013, Knockdown Center presented Non-denominational Holiday Sculpture Farm. 

The original press release…

Thanksgiving, Black Friday, Hanukkah, Festivus, Kwanzaa, Christmas, Boxing Day, New Year’s Eve… the list goes on and on but what does it all mean? Although each insular observance claims agency over its calendar dates and rituals there are many similarities and narrative cross-over points adding to the general cacophony of geographic, financial, and emotional obligations. Non-denominational Holiday Sculptures seek to toy with this insularity by sussing out the universal traits of celebratory ritual and incorporating them into our everyday lives. Non-denominational Sculptures are access points to these universal traits and are meant to remain on view throughout the calendar year to encourage sustained tolerance and appreciation for this unanimous human desire to assemble and celebrate our various cultures.

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