Weimar-based label Giegling takes over Knockdown Center as part of their international Planet Giegling tour.
A tag-team of artists from the German label will throw down together for a two-night program that includes a concert and a party – Friday night at Knockdown Center and Saturday night at The Bunker. You can buy a $30 2-day pass here, or click the ticket link to the right for a $20 ticket to Friday’s show.
To further demonstrate solidarity among exhibiting artists, Ventiko, founder of Animamus Art Salon, will facilitate a salon style discussion with participating artists and the public.
Participating artists:
Nicole Arendt
Barbara Joy Beatus
Cat Del Buono
Sarah Chacich
Em Downing
Amelia Marzec
Danica Pantic
Reynolds Tenazas
Facilitated by Ventiko
About Animamus Art Salon:
Animamus Art Salon was created by Ventiko in 2011 with the mission to create a safe, supportive, and inspiring environment for artists of all mediums to debut and discuss their current work while encouraging audience participation and simultaneously enabling a performance of ideas, which can not be repeated. Animamus Art Salon seeks, in this digital age, to create a physical meeting space that will serve to foster the exchange of ideas, facilitate discourse, and create a sense of community.
Nasty Women + Newark Printshop collaborate for one day at Knockdown Center to assist the community in the production of flags, banners and signs – just in time for the Women’s March on Washington on January 21st .
NASTY WOMEN
This is a group exhibition that serves to demonstrate solidarity among artists who identify with being a Nasty Woman in the face of threats to roll back women’s rights, individual rights, and abortion rights. It also serves as a fundraiser to support organizations defending these rights and to be a platform for organization before the Trump Presidential Inauguration in January. Started by Roxanne Jackson and Jessamyn Fiore with a facebook post that read: “Hello female artists/curators! Lets organize a NASTY WOMEN group show!!! Who’s interested???” The massive response has taken this call to arms into an ever expanding network of Nasty Women Artists & Art Organizers.
NEWARK PRINT SHOP
The Newark Print Shop (NPS) is a community fine art printmaking studio in Downtown Newark, NJ. Founded in August 2012, our goal is to support the fine art of printmaking by providing affordable and accessible workspace, educational programming through classes and workshops, and exhibition space dedicated to the fine art of prints. Newark is home to one of the most extensive fine art print and book arts collections housed at the Newark Public Library, and we wish to expand on this opportunity to put Newark on the map for printmaking!
S/team: neutrality and antagonism
A workshop facilitated by non/studio
Holding onto toxic feelings? Feeling ready to purge yourself from the cosmic chaos of yesteryear? Release your hot air. Hydrate anew. Perhaps a productive counterpart to anger is dialogue, taking time and making space. We believe in the radical reimagination of our world, and with that we have to radically reimagine care for our bodies. Using basic elements; air earth water fire, we will explore the therapeutic and cathartic potentialities of steam healing. Several types of steam vapor will made available for use, and participants will learn how to make steam for future use and wild applications.
About non/studio
Working across ecology, holistic education and craft histories, we provide trans-disciplinary methods for walking between physical and digital realms while creating tools and strategies to heal bodies & minds in the information age.
Artists, activists, and thinkers share contemporary responses to Zoe Leonard’s influential 1992 text I want a president…
Originally conceived in response to the cultural and political climate of the early 1990’s, Leonard’s text urges us to ask: what has changed and what remains the same? Leonard notes, “I am interested in the space this text opens up for us to imagine and voice what we want in our leaders, and even beyond that, what we can envision for the future of our society.”
Engaging with this timeless text in the wake of the upcoming inauguration, this reading highlights the necessity of speaking out, of looking to the future, and the importance of coming together in mourning, rage, and action.
Speakers include:
Sol Aramendi, Albina Mateo, and Irwin Sanchez
Christopher Cole
Shannon Matesky
Meera Nair
Melissa Ragona
Kameelah Janan Rasheed
J. Soto
Diya Vij
and more!
This event is part of a fundraising series of music, performances, and workshops accompanying NASTY WOMEN exhibition, on view at Knockdown Center January 12-15th, 2017. Day time performances are free and open to the public, while evening programming can be experienced through the purchase of a $20 all-access pass that grants you access to every performance happening in the building that evening. Proceeds in benefit of select charities working towards women’s reproductive health and community health initiatives.
Knockdown Center is pleased to present You can tell I’m alive and well because I weep continuously., an exhibition that features David Court, Erin Diebboll, David Horvitz, Anouk Kruithof, Amanda Turner Pohan, and Steven Zultanski.
You can tell I’m alive and well because I weep continuously.
Given that the average person, in a lifetime, sheds about 4,167.921 cubic inches of tears, and that I’m somewhere around 1/3 of the way through my life, then we can assume that, so far, I’ve shed about 1,373.034 cubic inches of tears.
Since water makes up 60% of a human body, and the volume of the average body is 5,064.97 cubic inches, then we know that the volume of water in an average human is 3,038.982 cubic inches.
And so, so far, in my lifetime, I’ve shed about 45.181% of my body’s water in tears.
Since tears are mostly water.
Let me see here.
— Steven Zultanski, Agony (2012)
Taking up the processes of formal alchemy that lie at the core of the book-length poem Agony by Steven Zultanski, You can tell I’m alive and well because I weep continuously. is an exhibition that traffics in transformative acts.
The show brings together the work of five artists whose techniques resonate with Agony’s provocative alchemical idiom: these artworks quantify bodily and affective features, apply logical and scientific reasoning to absurd ends, and manipulate the linkages between language and things. By placing the objects in calculated proximity to one another—and in relation to the connective tissue of Zultanski’s text—the exhibition format effects its own dynamic shift, conjuring poem-as-exhibition.
You can tell I’m alive and well because I weep continuously. invites viewers to inspect examples of morphed materiality within and between the elements on view, and thereby creates opportunities to consider the potential (and celebrate the futility) of giving stable form to ephemeral traits or experiences.
Exhibition Events
January 13th, 6 – 9pm: Opening reception.
February 10th, 7–9pm: Poetry Reading with Alejandro Crawford, Mónica de la Torre, Shiv Kotecha, and Stacy Szymaszek, featuring a sound installation by Fernando Diaz.
Artist Bios
David Court is an artist and writer based in New York. Recent and upcoming exhibitions include 8eleven (Toronto), Museo de la Ciudad Querétaro (Mexico), Proxy (Providence), and Skol Center des Arts Actuels (Montreal). Court has been Artist-in-Residence at the Banff Center, in the Workspace program of the Lower Manhattan Cultural Council, the Elizabeth Foundation for the Art’s SHIFT program, and Brown University’s Interrupt:3 conference.Court works with selection, formatting and narration as modes of expression in relation to exhibition as a genre of cultural production.
Erin Diebboll was raised in Massachusetts and has been based in Brooklyn and the San Francisco Bay Area. Last summer she participated in Container Residency 01, traveling on board a container ship across the Pacific Ocean. She has been granted residencies at Headlands Center for the Arts, Fine Arts Work Center in Provincetown, Kala Art Institute, Tsarino Bulgaria, the Vermont Studio Center, LMCC’s Swing Space on Governors Island and the Lower East Side Printshop. She received her BFA from Cooper Union.
David Horvitz has recently had solo exhibitions at Blum & Poe, Los Angeles; the New Museum, New York; Jan Mot, Brussels; Dawid Radziszewski Gallery, Warsaw; Chert, Berlin; Yvonn Lambert Bookshop, Paris; Pacific Northwest College of Art, Oregon; Fotomuseum Winterthur, Switzerland. He has realized projects with Recess, Clocktower Gallery, post at MoMA, Printed Matter, Rhizome, and Triple Canopy. He received the Rema Hort Mann Grant in 2011 and founded Porcino gallery in Berlin in 2013.
Anouk Kruithof is a Dutch artist, working between Mexico City, New York City, and The Netherlands. She has exhibited internationally at institutions such as MoMA, New York; the Stedelijk Museum, Amsterdam; Sprengel Museum, Hannover; and Multimedia Art Museum, Moscow. Her work is in the collections of Fotomuseum Winterthur, Aperture Foundation, FOAM, and the Stedelijk Museum. Anouk Kruithof is one of the five nominees of the Volkskrant Beeldende Kunstprijs 2016. Kruithof runs the publishing platform stresspress.biz and is co-creator, director and jury member of the Anamorphosis Prize.
Amanda Turner Pohan received her BFA from The School of Visual Arts and her MFA from Hunter College. As an extension of her art practice, Pohan is a co-founder of Temporary Agency, an artist-run nomadic platform for exhibitions and publications, as well as The Bakery Social Club, a monthly gathering for artists and designers.
Steven Zultanski is the author of four books of poetry, most recently Bribery (Ugly Duckling Presse, 2014) and Agony (BookThug, 2012).
Alison Burstein is the Program Director at Recess. Burstein previously worked as a member of the education departments at MoMA, the Guggenheim Museum, and the Brooklyn Museum and organized a wide array of public programs, performances, experimental classes, and artist projects across these institutions. As an independent curator, she has staged exhibitions at NURTUREart (Brooklyn, NY) and the Museum of Jurassic Technology (Los Angeles, CA). Burstein is a master’s student in Art History at Columbia University.
Installation photography by Emily Kloppenburg
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Knockdown Center’s exhibitions are selected through a competitive open call for proposals. Through a multi-round process, exhibition proposals are reviewed by Knockdown Center’s Curatorial Advisory Board and selected based on quality, distinctiveness, and response to Knockdown Center’s unique site and context within an ecosystem of live events.
Founded in 2015, the Knockdown Center’s Curatorial Advisory Board is currently comprised of seven sitting arts professionals with diverse but overlapping interests and fields of expertise. The Curatorial Advisory Board meets bi-annually to provide critical feedback on a wide range of proposals as well as contributing to discussions about larger programmatic goals. To learn more about proposing an exhibition or short-term project please visit our Proposals Page.
“A Night of Nasty Women” Comedy hosted by Lorelei Ramirez featuring:
Ana Fabrega, Jen Goma, Patti Harrison, Amy Zimmer, Nicole Silverberg, Marcia Belsky
This event is part of a fundraising series of music, performances, and workshops accompanying NASTY WOMEN exhibition, on view at Knockdown Center January 12-15th, 2017. NASTY WOMEN evening programming can be experienced through the purchase of a $20 all-access pass that grants you access to every performance happening in the building that evening. Proceeds in benefit of Girls for Gender Equity and SisterSong.
All-female teen alt-rock band Harsh Crowd plays a free show!
This event is part of a fundraising series of music, performances, and workshops accompanying NASTY WOMEN exhibition, on view at Knockdown Center January 12-15th, 2017. Day time performances are free and open to the public, while evening programming can be experienced through the purchase of a $20 all-access pass that grants you access to every performance happening in the building that evening. Proceeds in benefit of select charities working towards women’s reproductive health and community health initiatives.