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Dakota Gearhart: The Sextant of the Rose

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Visitor Information
By appointment only October 2 – 23
Fridays noon – 4pm
Email alexis@knockdowncenter.com to schedule an appointment
We prioritize the safety of all visitors and staff. Please review the visitor guidelines below before making an appointment.

 

Dakota Gearhart: The Sextant of the Rose investigates beauty as economic capital through the ubiquitous figure of the rose, speculating on whether the rose may have a hidden evolutionary agenda of its own. This exhibition, the artist’s first solo presentation in New York, features a new series of video-sculptures that incorporate psychedelic videos as well as living and dying roses to create an immersive world that viewers can become submerged within.

Informed by the artist’s day job as a florist, The Sextant of the Rose conjures an otherworldly setting where bouquets and videos reside. A suite of sculptures contain collage-like video animations of rose imagery that spins, flickers, and accumulates, sometimes integrating sculptural elements or the artist’s body modified by digital elements and effects. In a central video, Gearhart communicates with the rare and costly Juliet rose, who reveals her strategy of using sensuality to co-opt human desire as a way to navigate her own species’ evolution. Over hundreds of years, humans have cultivated roses to have more desirable patterns, better scents, more saturated colors, and even a more graceful death. By asking the rose what it experiences from its revered cultural position, Gearhart seeks to further understand how roses are using human desire to evolve and procreate themselves, and to what extent we are entranced in to performing their desires.

About Dakota Gearhart
Dakota Gearhart is a multidisciplinary artist who examines the environment and how it is perceived through technology and mythology. Her work has been exhibited at The Bronx Museum of Art, Bronx, NY; Tacoma Art Museum, Tacoma, WA; Disjecta Contemporary Art Center, Portland, OR; Equity Gallery, New York, NY; On The Ground Floor, Los Angeles, CA; Horse Hospital, London, UK; Griessmuehle, Berlin, GR; Lab’Attoir, Thessaloniki, Greece; and Taiyuan University, Taiyuan, China. She has been awarded the Puffin Foundation Grant, Artist Trust GAP Grant, BRIC Digital Media Fellowship, and a National Endowments for the Arts Fellowship through a partnership with Residency Unlimited. Residencies completed include the Queens Museum Studio Program, NY; NARS Foundation, NY; Studios at MASS MoCa, MA; Wassiac Project, NY; Residency Unlimited, NY; and The Bronx Museum AIM Program, NY. Currently, she is a video educator with Pioneer Works and Educational Video Center, both in Brooklyn, NY.

Organized by Alexis Wilkinson, Knockdown Center Director of Exhibitions and Live Art.

 

Safety Guidelines for Visitors:

– If you are feeling unwell, exhibiting any symptoms of Covid-19, or have had contact with a COVID-19 patient in the last 14 days, please stay home and seek care.

– Visitors are required to wear face masks at all times while in the building.

– A maximum of four visitors will be allowed into the gallery at a time.

– Visitors are allowed in the galleries for 45 minutes of viewing time.

– Visitors are required to practice physical distancing in the gallery, keeping 6ft between you and other visitors.

– Knockdown Center will provide hand sanitizer for visitors at the entrance.

– We do not condone abusive, threatening, or unsafe behavior, and will remove any visitor who does not comply with safety requirements listed above, or is behaving in an otherwise unsafe manner.

Gallery protocol:

– Staff will wash hands thoroughly upon entering the gallery and wear face masks at all times.

– Staff will regularly disinfect touchable surfaces throughout the gallery.

– Staff will practice physical distancing at all times.

Catalina Ouyang: it has always been the perfect instrument

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Visitor Information
By appointment only October 2 – 23
Fridays noon – 4pm
Email alexis@knockdowncenter.com to schedule an appointment
We prioritize the safety of all visitors and staff. Please review the visitor guidelines before making an appointment.

Upcoming Event
Thursday October 22, 7pm
[Conclusion and Findings] Readings with K-Ming Chang, Lara Mimosa Montes, Thylias Moss, Arisa White, and Keith Wilson

Catalina Ouyang: it has always been the perfect instrument is a multimedia exhibition of large-scale interactive sculpture, salvaged objects, sound, moving image, and architectural intervention, as a continuation of the artist’s ongoing project [Conclusion and Findings] (2017–). In [Conclusion and Findings], Ouyang pollutes the email inboxes of hundreds of strangers and friends with a 2016 legal document that weaponized institutional language to exonerate an act of violence. The recipients are then invited to appropriate, handle, and “translate” the contents of that document back to Ouyang.

The exhibition presents sculptures made over the last two years alongside a new two-channel video installation that comprises Ouyang’s reordering of the nearly 40,000 words generated by the contributions to [Conclusion and Findings]. This exhaustive task reflects the artist’s initial struggle to make sense of polyphonic data and to comprehend a manuscript designed to create silence. The works in the exhibition, however, ultimately forego that endeavor toward consolidation and instead grow out of a space where language fails. In resisting any overarching material, disciplinary, or tonal vocabulary, it has always been the perfect instrument trades linguistic and taxonomic control for a landscape of rhythm, texture, touch, and communion.

About Catalina Ouyang
Catalina Ouyang’s practice spans sculpture, text, installation, performance, video, and participatory projects, among other modalities, exploring the interstices of myth, desire, subjugation, and monstrosity. Ouyang has had solo exhibitions at Rubber Factory (New York, NY), Selena’s Mountain fka Selena Gallery (Brooklyn, NY), Make Room (Los Angeles, CA), and fort gondo compound for the arts (St. Louis, MO). Group exhibitions include Helena Anrather (New York, NY), fffriedrich (Frankfurt, Germany), like a little disaster (Polignano a Mare, Italy), Anonymous Gallery (Mexico City, Mexico), projects+gallery (St. Louis, Missouri), No Place (Columbus, Ohio), Field Projects (New York, NY), and Gallery 400 (Chicago, IL). Ouyang has attended residencies at Shandaken: Storm King (New Windsor, NY), the NARS Foundation (Brooklyn, NY), OBRAS (Evoramonte, Portugal), the Atlantic Center for the Arts (New Smyrna Beach, FL), and Palazzo Monti (Brescia, Italy), with a residency upcoming at the Vermont Studio Center. Ouyang holds an MFA from Yale University.

Funding for Catalina Ouyang: it has always been the perfect instrument made possible in part by the Puffin Foundation. This project was also supported, in part, by a Foundation for Contemporary Arts Emergency Grant

Organized by Alexis Wilkinson, Knockdown Center Director of Exhibitions and Live Art.

Exhibition Events
Held Remotely
Saturday, March 21, 2pm
slow jam: active restfulness is its own kind of money, a movement workshop with Lu Yim.

Safety Guidelines for Visitors:

– If you are feeling unwell, exhibiting any symptoms of Covid-19, or have had contact with a COVID-19 patient in the last 14 days, please stay home and seek care.

– Visitors are required to wear face masks at all times while in the building.

– A maximum of four visitors will be allowed into the gallery at a time.

– Visitors are allowed in the galleries for 45 minutes of viewing time.

– Visitors are required to practice physical distancing in the gallery, keeping 6ft between you and other visitors.

– Knockdown Center will provide hand sanitizer for visitors at the entrance.

– We do not condone abusive, threatening, or unsafe behavior, and will remove any visitor who does not comply with safety requirements listed above, or is behaving in an otherwise unsafe manner.

Gallery protocol:

– Staff will wash hands thoroughly upon entering the gallery and wear face masks at all times.

– Staff will regularly disinfect touchable surfaces throughout the gallery.

– Staff will practice physical distancing at all times.

Amelie Lens / Farrago / Rachel Noon

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RSVP here!

Resident Advisor tickets: http://bit.ly/AmelieLensRA

Tickets on sale now!

◾️ AMELIE LENS ◾️ The Belgian DJ and producer has been DJing since she was 18 years old and since has become one of the most celebrated artists in the world of electronic music. Lens tours worldwide but still has time to run her popular party series, Exhale, and her own record label, Lenske. She’s known for her full throttle sets where she unloads her techno skills and sheer love for the genre on her crowd of fans.

◾️ FARRAGO ◾️ Farrago creates arpeggiated melodies that reverberate endlessly to the point where they are deemed tangible and are driven by the resonating sound of a classic 4/4 kickdrum, it’s the perfect marriage between body and soul.

◾️ RACHEL NOON ◾️ Noon who began crafting her sound in the 90s, credits New York’s underground queer dance scene for her accelerated growth over the last few years. As the founder of the queer, trans and non-binary focused platform Large Marge, she has become a pillar in the scene where her roots lie. Noon is also a resident of Unter. Her sets focus on creativity and structure while pushing the boundaries of sound.

Outline: Winter

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Outline is a new Knockdown Center-produced series of multi-disciplinary events centered on music that showcases artists of all stripes. Unique each season, Outline will explore and expand Knockdown Center’s distinctive architectural and programmatic context.

The series kicks off with Outline: Winter, marking the leap year on February 29th, 2020 with a headline performance by avant-pop stylist John Maus and a lineup specially selected to bid farewell to the cold.

Throughout 2020, Outline will showcase artists across genres, pairing rising talent with industry legends, incorporating visual art and performance to demonstrate how each discipline informs and enhances one another. Events will utilize the distinct spaces within Knockdown Center in new and unexpected ways, creating moments that could only happen here.

An eclectic mix of artists join John Maus and Boy Harsher for the Outline debut, presenting an experience that crosses genres. Avant-pop artist Katie Gately will celebrate the release of her highly anticipated second album, Loom, with an exclusive New York City appearance. Ben LaMar Gay, a lynchpin of Chicago’s vital jazz scene, will perform a dark ambient set as a duo with Bitchin Bajas instrumentalist Rob Frye. Breakout experimental producer DEBBY FRIDAY from Vancouver, B.C., Patience, the new project from ex-Veronica Falls vocalist Roxanne Clifford, and new age synth pioneer Don Slepian will also perform.

An immersive installation by artist Aya Rodriguez-Izumi will accentuate the unique architectural elements of Knockdown Center’s space with tinsel, and serve as an atmospheric setting for experimental sounds. Interdisciplinary artist Rena Anakwe will accompany Rodriguez-Izumi for an opening performance in the specially created space.

The series name references Knockdown Center’s beginnings as a manufacturer of door frames and glass windows, functional outlines that allow entrance into new places and views of outside points. It also reflects the present and future of the space, an unmistakable architectural structure that can be filled in and transformed radically, depending on what’s held inside.

From the Winter show, Outline installments will follow regularly, with Spring, Summer, and Fall lineups developed to reflect the passing seasons. Look out for announcements on upcoming events!

RSVP here: http://bit.ly/OutlineWinterRSVP

Tickets are on sale now: http://bit.ly/OutlineWinter

◾️ JOHN MAUS ◾️ The multi-talented musician, singer, songwriter, composer and academic is known for his intense stage presence and sounds that bridge the gap from 1980s synth-pop and post-punk to Medieval music.

◾️ BOY HARSHER ◾️ BOY HARSHER is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable. Augustus Muller develops the underbelly of sound with minimal beats and grinding synths, where Jae Matthews whispers, screams and chants on top. Together, the music created is somewhere between industrial, drone and confessional storytelling. Muller and Matthews both have a strong background in film and their cinematic approach translates effectively in both their recordings and live performance. 

◾️ BEN LAMAR GAY ◾️ Prolific composer and cornetist Ben LaMar Gay is a lynchpin of Chicago’s thriving jazz scene, able to hop between free jazz and soul funk, from Brazilian bossa-nova to disquieting ambient drone.

◾️ DEBBY FRIDAY ◾️ A self-described experimentalist, born in Nigeria, raised in Montreal, and now working in Vancouver; DEBBY FRIDAY is an anomaly. Her work spans the spectrum of the audio-visual, resisting categorizations of genre and artistic discipline. She is at once a sound theorist and musician, composer and performer, video artist, poet and PUNK GOD.

◾️ DON SLEPIAN ◾️ A computer engineer turned ambient artist, Don Slepian is mostly known for his remarkable, electronic piano pieces. Ethereal, delicate, and intricately commanding, Slepian boasts twirling synths and improvised, whimsical songs.

◾️ KATIE GATELY ◾️ American experimental electronic musician Katie Gately utilizes a plethora of computer programs to reshape her voice into dense, occasionally unsettling sound constructions. Her unpredictable compositions run from industrial collages to playful, abstract pop tunes, exhibiting an absurdist sense of humor and an ear for rhythm and melody.

◾️ PATIENCE ◾️ Patience began as a bedroom synth project for songwriter Roxanne Clifford after the break up of her acclaimed indie-pop band Veronica Falls. Born out of a desire to experiment with a new sound and analogue synthesizers, the project has since grown to become an all-encompassing persona and serves as the main vehicle for the full emotional spectrum always latent in Clifford’s songwriting.

◾️ AYA RODRIGUEZ-IZUMI ◾️ Aya Rodriguez-Izumi is an interdisciplinary artist whose work blends installation, performance, video and beyond to explore aspects of ritual retention and cultural identity through marginalized histories. She was born in Okinawa, Japan, and grew up between that island and East Harlem, NY, where she currently lives and holds a studio. Her work has been exhibited through group and solo presentations at venues such as El Museo del Barrio, MoCADA, the Knockdown Center, Rush Arts Gallery, Pulse Miami Beach, the Material Art Fair in Mexico City and the International House of Japan in Tokyo among others. She was the recipient of the Emma Bee Bernstein Fellowship at A.I.R. Gallery in New York in 2017-2018, a Jerome Foundation Fellowship at Franconia Sculpture Park in Minnesota in 2018, and the 2018-2019 JUSFC Creative Artist Fellowship supported by the National Endowment of the Arts. Rodriguez-Izumi earned a BFA in Fine Arts from Parsons the New School for Design in 2009, an MFA in Fine Arts from The School of Visuals Arts in 2017. In 2019 she joined the MFA Fine Art faculty at her graduate alma mater of SVA.

◾️ RENA ANAKWE ◾️ Rena Anakwe is an interdisciplinary artist and performer working primarily with sound, visuals, and scent. Exploring intersections between traditional healing practices, spirituality and performance, she creates works focused on sensory-based, experiential interactions using creative technology. Rena was a 2019 ISSUE Project Room Artist-in-Residence, a 2019 Abrons Arts Center (AAC) Sound Series commissioned artist, a 2018 Signal Culture Artist-in-Residence and has collaborated, produced and shown audio/visual/scent work at venues including: Lincoln Center (NYC), BAMcafé (NYC), MoMA PS1 (NYC), CultureHub (NYC), Pioneer Works (NYC), and Montez Press Radio (NYC). She is based in Brooklyn, New York by way of Nigeria and Canada. || aspaceforsound.com

Mind-Matter

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On February 22, Mind-Matter embraces our grandest & most immersive production featuring 5 world-class DJ & Live acts at the Knockdown Center. On this night, we are proud to present an innovative lineup that places spotlight on those who elevate the game.

Artists (A to Z):

Ae:ther

Kevin de Vries

Moonwalk

Radio Slave

Woo York

Reality Cache

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Hello? Is anyone out there? We’ve been sending messages, trying to reach you, emptying ourselves into the machine. We meant to move you. The data tells us you wanted a reminder. That death doesn’t sleep. That you could fail and get up again. That you have a choice to make. That you could release the past. You have walls to inspect and sometimes you have to face them alone but not always. We’re making room for you.

January 17, 2020 10pm-4am @ Knockdown Center in Queens, NY.

bbymutha

Joey LaBeija

SHYBOI

8ULENTINA

LOKA

Via App

Bookworms

VVEISS

Dylan Ali

Extol

Total Freedom

Deli Girls

More TBA

21+

All profits go to Al Otro Lado, a non-profit that provides legal aid to asylum seekers, migrants, and deportees throughout Latin America.

Time + Space New Years Eve

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Let 2019 collapse and shimmer into stardust as you begin anew. Over the span of one transcendent evening, hypnotic performances will warp and bend around a century-old warehouse while celestial aerialists and installations ripple across time and space itself. This is a cosmic call to glimmer, gravitate, and emerge reborn.

FEATURES //

– A trio of stages

– Orbiting planetarium

– Room of infinite mirrors

– Psychedelic installations

– Pirate ship and art cars

– Transcendent aerialists & performers

– Festival vendors

The Story Collider Presents The Ocean Around Us

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This December, Story Collider presents a very special immersive storytelling experience. Using 360-degree video footage and soundscapes, we will transport you to the high seas as four storytellers share powerful stories from their lives and work. We invite you to join us on this thrilling journey from the shoreline to the depths of the ocean floor!

Doors will open at 7:00 pm for a reception with beer, wine, and light snacks, as well as a gallery featuring artist James Allister’s work and secret ocean installations.

The show will take place from 8:00 pm to 9:30 pm and will be hosted by Story Collider’s artistic director, Erin Barker. Afterwards, join us for a post-show reception featuring a behind-the-scenes glimpse at the technical aspects of how we transported an entire audience under the sea.

Stories by:
Keith Ellenbogen, underwater photographer
Latasha Wright, BioBus chief scientist
Prof.Ound, spoken-word artist and environmentalist
Skylar Bayer, marine biologist

For more information, see our web page: https://www.storycollider.org/shows/2019/11/17/new-york-ny-the-ocean-around-us

This show is made possible with the support of the Tiffany & Co. Foundation, which seeks to preserve the world’s most treasured landscapes and seascapes.

ZERO Presents: Winter Wonderland

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7th annual Winter Wonderland celebration returns to the Knockdown Center on Saturday, December 14th.

ARMEN MIRAN

BRYANT JENSEN B2B SAQIB

DANIEL COWEL

JACOB GROENING

KORA

LOVECRAFT

MADOTA

ROBIN DEY

Unsound New York presents Soft Power and Speaker Music

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Soft Power is a performance that combines traditional Polish dance and experimental music by Felicita. The evening will begin with a performance by Speaker Music (DeForrest Brown, Jr.), titled a Black rhythm happening to fill a crease.

Originally from London, Shanghai-based Felicita works with fractured sounds. Soft Power was originally commissioned by Unsound, in collaboration with traditional dancers from Śląsk Song and Dance Ensemble, the oldest and most renowned company of its kind in Poland. This unique work synthesizes traditional choreography and costume with new music to create a hypnotic multimedia experience. The concept stems from Felicita’s childhood education in traditional dance, and explores folk culture, national identity, tourism, branding, illusion, and farce. The music itself is a fusion of Polish folk, noise, trap and chamber music, and was released last year by PC Music, fitting beside releases by the likes of SOPHIE and Danny L Harle.

As Ben Ben-Beaumont Thomas wrote in The Guardian: “Folk dances, involving lots of twirling around and dramatised romance, are paired with plangent piano melodies, scorched ambient noise and, most incongruously, wild synthetic pop. Despite (or rather because of) the aesthetic clashes, it hangs together in a supremely atmospheric whole. Devised in the wake of Brexit, it’s a stirring affirmation of how cultures can coexist while retaining their own voices.”

The evening will begin with a set by Speaker Music (DeForrest Brown, Jr.) titled “a Black rhythm happening to fill a crease,” a new improvised composition expanding on the lush ensemble energy music found in his debut album of desire, longing (Planet Mu, 2019). Referencing free jazz trumpeter Eddie Gales’ culturally noteworthy 1969 album Black Rhythm Happening, Speaker Music probes further into the sonic narratives of African American expression towards a novel rhythmic and romantic abstraction of vibration and frequency.

Speaker Music is a digital audio and extended media praxis by New York-based rhythmanalyst DeForrest Brown, Jr. His work is concerned with speculative futures in performative contexts and programmatic intersections of technology and thought. He is a representative of the Make Techno Black Again campaign, and his most recent writing can be found in Artforum, Hyperallergic and Afropunk. In 2020, Brown, Jr. will publish a book related to a talk given at Unsound Kraków, entitled “Assembling a Black Counter-Culture” with Primary Information.

Note: this show was originally part of the Unsound New York 2019 lineup, and had to be moved to this date due to unforeseen reasons.

Organized in collaboration with the Adam Mickiewicz Institute as part of the Polska Music program and POLSKA 100, the international cultural program celebrating the centenary of Poland regaining independence.
Financed by the Ministry of Culture and National Heritage of the Republic of Poland as part of the multi-annual programme NIEPODLEGŁA 2017–2022

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