Sunday, June 3, 2018
For the final Sunday Service of the spring season, curated by Mariana Valencia, performance, film and sound artists explored notions of solid states. They asked whether something that’s solid is something that can be pressed into, dislocated or broken— Are solid states reliable? Through observations of shorelines, the stages of ice and wax they found sustenance in time as the symbology of open chests attuned us to the other. Imagery, live performance and sound interpret these transitions that found a homes within flux.
About the Curator
Mariana Valencia, is a dance artist based in Brooklyn, New York. Valencia has held residencies at Chez Bushwick (2013), New York Live Arts Studio Series (2013-14), ISSUE Project Room (2015) and Brooklyn Arts Exchange (2016-18). In Los Angeles, she’s held residencies at Show Box LA and Pieter Pasd (2014). Her work has been presented at Danspace Project, Roulette, the Center for Performance Research, The New Museum, The Women and Performance Journal, Lec/Dem, Ugly Duckling Presse, AUNTS and The L.A.B at The Kitchen. As a performer, Valencia has worked with musician Jules Gimbrone; video artists Elizabeth Orr, Kate Brandt, and AK Burns and in dances by robbinschilds, Kim Brandt and MPA. Valencia is a founding member of the No Total reading a partner of Artists Space Books and Talks and she has been the co-editor of Movement Research’s Critical Correspondence (2016-17). Valencia holds a BA from Hampshire College in Amherst, MA (2006) with a concentration in dance and ethnography.
About the Artists
Ayano Elson is a choreographer and designer. She was born in Okinawa, Japan, and is a 2018 Movement Research Van Lier Emerging Artist of Color Fellow. Her work has been presented by Center for Performance Research, Gibney Dance (Work Up), Movement Research at Judson Memorial Church, Roulette (lec/dem), and AUNTS at Arts@Renaissance, Mount Tremper Arts, and the New Museum. As a dancer, Ayano has had the pleasure to perform in works by artists Phoebe Berglund, Kim Brandt, Jessica Cook, devynn emory, and Glass Ghost in places like BRIC, CATCH at the Invisible Dog, the Guggenheim Museum, the Kitchen, Lincoln Center, MoMA PS1, Movement Research at Judson Memorial Church, New Museum, PS122, Pioneer Works, Roulette, and SculptureCenter.
Jordan Lord is an artist, writer, and filmmaker who works primarily in video, text, and performance. His work is concerned with the relationship between framing and support, historical and emotional debts, documentary and description. Since 2012, he has been a member of No Total, a collective of performers and a reading group that has both shown work and organized a number of performances at Artists Space Books & Talks and Arika Episode 4: Freedom Is a Constant Struggle. In 2017, he organized a series of screenings at the CUNY Graduate Center, entitled “‘Recording and Performing’: Apparatuses of Capture, Documentary, and Liveness in Artists’ Cinema.” He is currently working on an MFA in Integrated Media Arts at Hunter College.
lily bo shapiro is a performance-oriented artist born and raised in New York City. Current obsessions reside in shifting constellations of archive, elision, rejuvenation and the strangely intimate (intimately strange). bo works at an ethic of ongoingness, togethering and care, approaching circulation as an antidote to the monumentals. [also, ‘i love you’ and ‘i am proud of you’ are important things i am saying a lot right now].
Jean Carla Rodea is an interdisciplinary artist with a research based practice. She is originally from Mexico City and currently based in Brooklyn, NY. She works across disciplines such as music, sound, performance, photography, video, and sculpture. Her practice is informed by memory, identity, immigration, ritual, performance, and improvisation. Rodea’s work questions critical socio-political issues such as: the politics of the body, gender, and the asymmetry of human relations. She has performed and shown work at Roulette, Carnegie Hall, BRIC, Judson Church, Panoply Lab, Rio ll Gallery, The Clemente, El Museo de Los Sures, to mention a few.
About Sunday Service
Taking place the first Sunday of each month, a guest curator is invited to organize a salon style evening of cross-disciplinary performances and presentations that brings together a multiplicity of views around a singular prompt, such as a question, theme, or formal structure. Sunday Service centers works in progress, interdisciplinary endeavors, and diversity in format showcased in a lo-fi environment to foster the testing of ideas and critical discourse amongst peers.
Sunday Service is programmed by Stephanie Acosta and Alexis Wilkinson, Knockdown Center’s Director of Exhibitions and Live Art.
Knockdown Center’s MEDIA page is an ongoing collection of audio, video, writing, and ephemera produced by our arts programming. It serves not only as an aural and visual index of the diverse artistic activities that occur within the space, but also as a resource for artists, writers, curators, and researchers who may be interested in learning more about the practitioners that come through our doors. As a primary source, documents housed within the MEDIA page have been minimally edited and largely unmodified. Audio files link to our Soundcloud channel, where curator conversations, exhibition walkthroughs, panels, and poetry readings can be heard individually, or as select playlists.